Quotes About Experience

Mustard believes in me so much. It's good to have a mentor that's been through it. Even though he's a producer, he's been a new artist.

Making a record is an intimate experience. A good producer can get things out of you that you can't get out of yourself.

Working as a producer, an arranger, and, in some cases, as a writer for some other people gave me a super different perspective.

As an actor, I was often shielded from the big-picture decisions. But as a producer, I experience all the conversations where there's pushback or a difference of opinion.

Every time we go into the studio and use a different engineer or producer I try to look, listen and learn their approach. That has helped with the gear I look for to use live and in the studio.

After 11 seasons, I retired from football. Four months later I was in Ghana shooting 'Beasts of No Nation' as an executive producer.

I am glad I have experienced being a producer.

I was an executive producer. I've done a lot of jobs and I think each one helps you get closer to what you want as a director. It also helps you - when you work with different filmmakers - to absorb, to adapt, to know what to watch out for, to know pitfalls.

I love writing with really experienced producers and co-writers who open my mind to things I never would have thought otherwise. We may think the same way about something, but they might say it in a way that I never would have thought to say it.

My husband himself is a producer, so we know the practical difficulties of producers.

'The Producers' is a sort of a once in a lifetime kind of phenomenon, and I was grateful to be a part of it.

I get to go to so many different countries and hear so much music and collect totally different records. It's all very inspiring, and I'm trying to embrace that experience because not that many producers get to have that.

In most cases, I think most executive producers and studio executives really do their best to accommodate you. At least, that's been my experience in most cases.

After graduating, I was shooting as well as working as a key grip, and I often found myself the only female out of the whole crew, except for producers and the occasional AC.

I don't understand how other producers who have no experience making a musical jump in and produce one.

I had to really learn what it meant to be on a set and what the expectations were and what producers are. I had to learn who I'm talking to and what their functions are. I had a couple of gaffes: I would ask a person a question, and it wasn't their job. I had to Google their job description. That was the first big adjustment.

The Big Music Project gives young people access to producers, managers, set designers, artists and a load of other industry insiders who are at top of their game. It can be difficult to know where to start and this project gives young people who are passionate about music, knowledge and hands on experience.

I've been in over a hundred films so I know what producers are like.

If you focus on producing a great experience for anyone, that's how you get big.

Producing is just a big learning experience.

I've produced and gotten to do a lot of optimistic love stories, and that was so where I was at for 10 years in my life. And now I feel like, Okay, now I know how to do that. I want to get scared again; I want to feel the way I felt when I started my company, when I started producing.

I haven't modelled since I was 12 - that was a one-time thing, and I did it as a kid to make a little money to save up for university. Acting is my first love as well as writing and eventually producing and directing.

In 2007, I went to work in Beverly Hills as an intern at The Collective, a talent management agency. I'd been scouted for the job because of a blog I'd started in college and because the blogger-turned-author I worked for, Tucker Max, was producing a project with the company.

I think I've always wanted to direct, but I didn't go to film school. I was lucky enough to work in movies, and I think those became my film school in terms of acting and watching directors work and also writing and co-writing and producing.