Quotes About Experience

After 'Grahan,' you'd be nuts to think I'd try producing again!

I played in every single bar and small club in Holland and I've been DJing and producing for more than 12 years.

I want to bring passengers on my airplanes to present to them my product.

You want a great product, you want things that resonate with people and make them dance.

We want to make sure everyone has a great experience. When they buy the product and take home and plug it in, we want to make sure that first experience is comfortable and everything is there.

More often than not, the experience of shooting the movie has been disappointing and the end product has been a mere shadow of what I hoped it would be. But immersing myself in the story - that's what I like best of all.

Everyone is a product of their own environment, and that, I think, has actually been the key lesson for me.

People interact with their phones very differently than they do with their PCs, and I think that when you design from the ground up with mobile in mind, you create a very different product than going the other way.

So I think I'll say the obvious thing: theater is ephemeral. When a production is done, it's gone forever. You can take pictures of it. You can make a film of it. But it's not the production. It's not the same thing.

My character was kidnapped by the Terminator and I was kidnapped by the Terminator production.

I think part of what made the original 'Sufferfest' charming was the extremely low production value. It was all shaky handheld footage from Cedar.

For the last five years I've been in the production business.

There's a different energy with a female director, a female at the head of the production. I don't prefer one over the other, but they're definitely different experiences, and I would love to have more of them.

I used to watch a lot of American and British television as a child, which helped teach me the language and accents; it was partly that which landed me the part of Roxy in a London production of 'Chicago' when I was 25.

Most of my presumptions about a production are usually wrong.

It was nice working with a jolly team in 'Gangaa.' I was well-acquainted with the production team, which was same on 'Balika Vadhu.'

From my years of work with so many game show production companies and their producers I'm probably no longer eligible to be a contestant on any American game show.

I worked with my parents on the stage in production numbers since I was 4, but I never really gave much thought to being a performer on my own until I was 12 or 13.

It has given me an insight into what it's like as an actor to come into a show in the middle of a production and fit into a group that's already established.

I was a production assistant. I saw what people who are full of themselves are like - another reason not to lose your humility! I have a mouth on me so I wasn't the best P.A.

No acting, no production, could take the place of that moment when you come out in the dark on to the stage and the drummer plays four beats on the hi-hat and then lights and music. It just takes your breath away. No words can do what music can.

I was very aware that my path into the industry would probably be as an actress and not in production, that I could learn a lot that way. And I did.

I got 'Delhi Belly' and 'Badmaash Company' because people from the production house had seen my stand-up comic acts in a DVD that was lying in their offices. It's been a weird journey, and I think weird goes with me.

I saw Derek Jacobi play Hamlet when I was 17, and he directed me as Hamlet when I was 27, and I directed him as Claudius in 'Hamlet' when I was 35, and I'm hoping we meet again in some other production of Hamlet before we both toddle off.