Quotes About Style

When you're talking about Tim Burton, you're talking about a guy that has such a visual sense, an aesthetic, a storytelling style. It's like he's got his own genre.

It is difficult to talk about fashion in the abstract, without a human body before my eyes, without drawings, without a choice of fabric - without a practical or visual reality.

When '36 Chowringhee Lane' was released in 1981, I was a student of the Film and Television Institute of Tamil Nadu. Everyone who had seen the film was very impressed with its flawless direction and acting. But we, cinematography students, were stunned by the visual style, which was truly international.

'The X-Files' from the beginning was a very visual show, and with Bob Mandel directing the pilot and Dan Sackheim being involved in the production of the pilot and directing the first episode, they brought a visual style to it that was elaborated on by so many good directors.

I'm never going to be one of those people who is good at organization. But I'm very visual. I have a catalog in my head of things I already own, so it's easy to shop and I always know exactly what I'm looking for.

I have no style. There are certain people who just have a visual sense that defines their work. You could probably watch 30 seconds of anything they do and you'll know exactly who directed it. I don't have that skill.

What you write sets the visual style for the film. But you have to compromise your style in your first few films before people let you do what you want to do.

My personal style at this point in my life is more audio; it's more driven on less visual and more musicality. But because of my upbringing, my fabulous mentors and teachers that I've had throughout my dance journey or career, I also possess a style that is of the past. It was just a matter of me reaching back.

When The Temptations began, we wanted to be visual. So we did our own choreography and developed our own uniforms.

Billions of photos are shot every year, and about the toughest thing a photographer can do is invent an original, deeply personal, instantly recognizable visual style. In the early nineties, Wolfgang Tillmans did just that, transforming himself into a new kind of artist-photographer of modern life.

I have a visual sense for the music. It has to stay true to a certain sense of period. I rely on a sense of colors and mood in my approach to the arrangement.

I would really love to collaborate with Gwen Stefani and M.I.A.; artists that kind of make sense with me vocally. And in terms of style, I'm a very visual artist. I really love Pharell. I love people that really care about drums, and I like beat-heavy.

I don't have a style. I've never thought of myself as a stylist like the visual stylists I admire enormously - Adrian Lyne, Ridley Scott, Alan Parker - in which every shot has a great idea in them.

I'm a visual person, and I love visual extremes and aesthetic discipline.

My favourite Ghibli film is maybe lesser known: the 'Tale of Princess Kaguya.' It's a different visual style, by a different director to most of the films, but it's really beautiful, and an old Japanese fable brought to life in an almost moving-watercolour kind of way.

I like working with south Indian directors because they are very disciplined. They visualize their entire story and screenplay in their heads even before they start shooting, which I respect. They finish their work on time. Being a disciplinarian myself, this suits my style.

I generally wear a lot of black clothes, and I think that comes from wanting to be as neutral as possible. We use a lot of visuals on stage, so I kind of hope people are watching those and not looking at me.

Vintage is my vocabulary... like the notes of a musician.

Architecture is restricted to such a limited vocabulary. A building is either a high-rise or a perimeter block or a town house.

Chet Faker's a reference to the late Chet Baker. I'm a big fan of his vocal style; it's quite fragile and soft, and that was a style I wanted to take on.

I'm sure any vocal teacher that listens to me would rather cut my throat than do anything - I do everything all wrong - but I think for me that's the best - because I don't think I have a voice so I think what I project would be style - if I learned to sing I'd lose my style.

My vocal style is called bel canto, which is an old Italian vocal style going back hundreds of years.

I feel there are tone singers, and there are more vocal gymnastics singers. And I think that's amazing when people can do that, but I think there's room for the tone singers. And there aren't a lot of them.

The guys who like chinos and cords never went away. They've always been there. They're remarkably loyal, just not remarkably vocal.