Quotes About Style

I've been good at creating new textures and new fabrics, like vocal hocketing, or interlocking guitars, or suggesting new ideas for style... that's what the band has really excelled at.

We don't vogue, we are 'Vogue'.

'Vogue' is the best of everything that fashion can offer, and I think we point the way. We are, you know, a glamorous girlfriend.

'Vogue' is a fashion magazine, and a fashion magazine is about change.

People always associated me with 'Vogue,' 'Vogue Living,' or 'Elle Decor.'

My dream jobs would be Italian 'Vogue' and anything with Chanel!

It is hard finding clothes that fit. At the German Vogue shoot most of the clothes were undone at the back.

You can go up to the editor of 'Vogue,' and she might think I have horrible style, or maybe she thinks I have great style. Who knows? I don't really know too much about it: I just know what I like and what I don't like. I love clothes and making my own clothes and shoes, like I got to do with Adidas.

I started looking at fashion magazines, specifically 'British Vogue.' I was reading a lot about Cecil Beaton. Then I thought maybe I should start collecting.

I feel basically good about my career because it's remained constant. What I do has never been especially in vogue or gotten high on the charts. At the same time, I haven't had to stop performing any of my music because it aged in style.

I am addicted to 'Vogue' magazines, be they French, British - I adore, adore, adore.

'Vogue' remains while its fashion editors come and go.

I was getting a lot of editorial, as in lots of pages in 'Vogue,' but it's far more important to get your dresses on the back of a famous person. Charlotte Rampling in Bruce Oldfield. That sells.

My mom was my muse - she would buy me Italian 'Vogue.' I was this little fashion boy.

'Vogue' is a very beautiful magazine, an institution, and I learned so much working there.

French 'Vogue' was always a photographer's magazine.

I grew up in New York, and I've always been surrounded by fashion. My grandmother used to write for 'Vogue' in the '50s, and my mother was a dancer and a model.

I don't look at 'Vogue' to ask what I'm going to wear. Because it's something on a body too young. I have to look at the social pages to see women my age. To see how Amanda Burden is dressed and say, 'Hmmm. Maybe I should try that.'

On some level, you could say you wouldn't have 'In Style Magazine' at all had Anna Wintour not decided to put celebrities on the cover of 'Vogue' from her earliest years as Editor in Chief.

One of my favorite poses was when working with Steven Meisel. It was one of my first photo shoots with him, and we were trying to get the cover of Italian 'Vogue.' Then, I literally took my Balenciaga hat, pulled it down, and gave a rolling-eye, 'ugh' face, crossed legs on the floor. And lo and behold, that was the cover of Italian 'Vogue.'

I think there's much more fashion competition in the more junior levels of the fashion department. And that's exciting and stimulating to see, because it's 'Vogue;' it's great to see people dressed originally and with great style and panache. It wouldn't be 'Vogue' otherwise.

Being acknowledged by 'Vogue' and invited to do 'Today I'm Wearing' was a really great moment for me, and the photo diary of my outfits was a really fun thing to do.

'British Vogue' is a great magazine with a legacy of creativity and innovation.

I'm always inspired by anything in 'Vogue,' anything that's been in 'Vogue.'