Quotes About Film

I never think about it much, the visual aspect of it, until we start making the movie. I don't really think about it when we write. When we finish, and I start putting the film together, and we pick the locations, I do think about that a lot.

I love the visual medium of film and TV. I love the science of it, working with the sound and the lighting and every aspect.

My favourite Ghibli film is maybe lesser known: the 'Tale of Princess Kaguya.' It's a different visual style, by a different director to most of the films, but it's really beautiful, and an old Japanese fable brought to life in an almost moving-watercolour kind of way.

I just dreamed about living in Paris and being French. I always loved the visual arts, film and theatre, and I hoped to be involved in creating beautiful products and images.

I even went to film school at School of Visual Arts in New York City. And then, after that, I got a day job at Universal publicity department, then moved over to Disney publicity department. So I had this day job, and at night I would study music.

I had done student films for the School Of Visual Arts and for NYU and all these schools in New York, so those were my first film experiences, but they were student films, so I guess they don't really count.

I've been obsessed with this kind of visual storytelling for quite a while, and I try to create material that allows me to explore it.

Well, the medium of film is so different than a book that just by bringing it into visual storytelling is to change it up. I think in a book, in any book, you can have a reactive character. Some of the great novels of all time have had that, but in a film you can't do that.

I don't really think too much about special effects because that's not really something I can clearly visualize, so I leave that to the pros.

The audience has to understand that if the film is going to have any meaning for them. If they are going to empathize with the characters, they have to visualize the process of concentration involved in making every move.

I think that as a director, especially when it comes to writing the script, which I also do, and I'm also the first one to visualize this story, I think contributing to the film industry means I'm able to take the best of a story and translate it well into a movie that can be released in theaters.

If people get inspired by 'Baahubali' as a film, and they realize they can make a big film or a historical film which has good drama and good visuals, if they realize there are good stories to tell here, then it is good.

It's about the characters, it's about the film, it's about the process of making stunning visuals and a huge, epic movie. It doesn't matter if my head was covered in a black plastic bag and I was bouncing around in a space hopper: That's the villain of Chris Nolan's 'Batman!'

In a silent film, the visuals are of utmost importance.

The beauty of a Tarantino film is that the visuals match the rhythm of the words. That's his goal. And that's my goal.

The poetry and transgression that was so much of surrealism's anarchic force has been recruited into mainstream culture. It has been made commonplace by television and magazine merchandising, by computer games and Internet visuals, by film and MTV, by the fashion shoot.

I've always enjoyed film, but I'm a little afraid of it because I think it is very powerful as a medium. You have the visuals, the sound, the colors, all of these things coming at you, and they transport you physically so it becomes this surround sound, virtual reality.

Cinema is a visual medium one has to communicate through visuals, and therefore, dialogues should be less.

A film only works when its content works. The visuals can be breathtaking, but if the content is not good, it won't work.

I often wonder when I make a film - I'm thinking of making a film of the Buddha - and I often wonder: If Buddha had all the elements that are given to a director - if he had music, if he had visuals, if he had a video camera - would we get Buddhism better?

I like language, and in film, language is diluted by the visuals and the music. Theatre is what I was trained for.

Since I started as an actress in the film industry, I realised the power of visuals and how that can fuel the imagination of our mind. It is very powerful. Therefore, I always cater to my own sensibility first and then to the world.

It is so beautiful that when you watch the film, the marriage between the visuals, the music and the storytelling is seamless.

Cinema is ultimately a work of art, it is all about sound and visuals.