Quotes About Film

In film you have the opportunity of retakes or of giving your best profile. In theatre, it's right here, right now.

A movie that costs only $1.6 million doesn't have to be a cultural event to turn a profit.

There's always gonna be people with a lot of money making film, and the goal is to make profit and carry on. It is a business. The goal is to make a living doing it and to be comfortable.

It's not necessary that every film has to hit Rs 100 crore box office, or the Rs 50 crore budget. If the film makes double of its project budget, we consider that a hit, and that also means that the film is in profit.

I always make sure my film benefits my producer and earns him a profit.

'Apocalypse Now' poses questions without any attempt to provide definitive answers, and the film's profound ambiguities are integral to its enduring magic.

I don't believe in an annual dose of film music for the sake of it being film music. If we program film music, it will be because there is a real artistic reason for doing so.

Nudity, in the right way, can enhance a film or a TV program or a TV commercial. If it's done tastefully it can make it more of an interesting product.

The reality of any location in Britain being used in a TV program of a film is that something bad is going to happen! That's the nature of drama. Most of the things that get made or basically grisly detective shows about murders, accidents or medical dramas.

If you work in the studio system in America, they've almost got to the point where a computer programme could write scripts. Effectively, they hire and fire enough writers until they get something generic.

I think the Norweigan model of municipalities owning cinemas and being programmed by people who know about films is a good one.

Our plan for Passyunk Productions is to make an impact in the film & tv world by leveraging our collective resources, telling great stories and creating smart programming told from a unique perspective.

It was a natural progression for me to find that if acting was what made me most comfortable, the best thing for me to progress toward was television and film.

Film is a natural progression for Saban Capital Group with existing interests already in television, media and brands.

I'm not interested in making all-black films - I come from a very diverse culture; I want to work with every type of person. I work a lot with women executives because they seem to be a lot more open minded about that and a lot more progressive in that way.

'Sara' was the first film project I worked on as an actress; it's a short film.

Actually, the first film that I did was more like college boys project.

'Barely Lethal' is a non-Disney project, and is with Samuel L. Jackson, Hailee Steinfeld, and Jessica Alba. It is a really, really phenomenal film.

Aashiqui 2' has been a blessed project.

The first film is very important, and one needs to choose the right kind of debut project. I also think the second film is equally important, as it needs to be a notch higher.

In any musician's career, a film like 'Manikarnika' becomes a landmark dream project, which is challenging and musically enriching at the same time.

It was really hard to find another project after my first film.

I feel comfortable with either digital or film - the director and the project should determine the course of choice.

To me, it's about good work, a good story, and tastefully done. There's so many stigmas - oh, you're on the small screen or you do films or you do reality. It's about the project and not the medium on which it's delivered. It's the story you tell, period.