Quotes About Film

Being a part of a good film is always satisfying and when audiences also accept your effort, it gives you twice the joy.

In this age of smartphones, all one needs to do is make a good film. The audience will take care of the rest.

I hope I've made a good film. And before you ask, a good film is one that I'd see three years from now and not cringe.

My main focus was to do a good film.

I would rather make a bad film which does well at the box office than a good film which does badly.

Whether it's me or Mallika or anybody, I always say that 'Tezz' is a very good product and it is a very good film.

If I had not made a film like 'Vaanaprastham,' I would not have been able to go to Cannes or any other festival. I would not have had a chance to act as a Kathakali artiste. I would not have had a chance to be with some of the greatest Kathakali artistes. I consider all this my good fortune.

My father and Nagarjuna worked together for 'Yuvakudu' and from then on, both of them have been good friends.

Film for long enough and you are bound to see good friends have a tiff!

I think the film you hear about the most is 'The Exorcist.' When people come up to me and say, 'Oh, you scared me!' I was the good guy in that film!

How often do we make films just celebrating people that do a good job, work altruistically, and are in it just for the sake of the love and not the business?

A Few Good Men' and 'As Good As It Gets' were the advent of me taking film seriously.

It's very hard to adapt something. You end up changing it too much to make a good movie out of it. I prefer to work with things that are custom made for my kind of animation.

I enjoy a good movie, no matter what the genre.

There are some directors who actually fear the possible success of music. They fear that the audience or the critics will think the film has worked because there was a very good music score.

When you look at a film like 'The Ides of March' or 'Good Night, and Good Luck' even, those are really contained pictures.

A film like 'Good Night And Good Luck,' you make that for $7 million because you know it's a black-and-white film, and it's not an easy sell. If you make it for $7 million, then everybody can have a chance to make a little bit of money, and you get to make the film you want to make.

Because I've made a film with such an amazing director as Tarantino, I'm much more conscious of working with good directors from now on, so that's what's important to me. I don't really care about making a big movie - I just want to make good ones.

I wanted to make 'Nobody Knows,' a kind of summation of the experiences I gained from making my first three films, the good ones as well as the bad ones.

I don't really see the point in making a film unless you can think of a good reason to do it.

It's great to have a good relationship with the directors and learn about things you do with cameras, and how you direct.

You can have a million dollar, 20 million dollar budget or 60 million dollar budget, and if you don't have a good script, it doesn't mean a thing.

If you do not have a good script, then no matter what the genre is, the film will not be a success.

Finding one good script is a huge challenge. So I do a film whose script comes and grabs me. Once I finish that, I look forward to the next movie.