Quotes About Film

Digital is clearly the way forward as can be seen from the numerous marketing efforts undertaken to promote a film today. Besides, we at T-Series are firm believers and followers of the digital age. It was only befitting that I join the social media universe and engage with the audience on a real time basis.

People want to see real women on screen.

See, a painting is much cheaper than making a film. And photography is, you know, way cheap. So if I get an idea for a film, there are many ways to get it together and go realise that film. There's really nothing to be afraid of.

In most films, when we act, we don't see such meanings in what we do. Rather, we don't realise it. Only when we see it as a continuous film later on do we realise such deep meanings. That is the brilliance of the director.

When I see films like 'Lagaan' and 'Rang De Basanti,' I feel, 'Why can't I do work like this?' Then you think and realise you need to learn more to make this kind of a film or write this kind of a film. Also, somewhere down the line, you need to be brave.

As a novelist, you have to realise that the novel and the film have to live separate lives. They're just different, like your kids, even if they look alike.

There are more women editors than people realise. I think we're more able to keep our eye on what the film needs. Between men, sometimes it's a real ego battle, and that's very bad for the film.

I realise that film industry is a brittle and fragile world, but I'm ready to face it all because I'm too much in love with this space.

We get prompt feedback on social network. The overseas audience is quick to convey what they feel about a film and we realise whether we are up to date.

I realised that I enjoyed direction while making 'DCH.' The process of putting a film together and working with the cast and crew felt good.

Just getting auditions was rough. But also just learning how to act - when I did my first role, in a film I did which was a favour to a friend, I realised I was really bad at it.

I grew up on Mel Brooks films. That was film to me until I got a little bit older and realised there were other kinds of movies.

When I started with 'Fugly', I was excited that I was playing a raw and edgy character in the film. After I nailed the audition, I realised that the role wasn't something I was comfortable with.

'Masoom' was like a picnic for all of us. We kids just wanted to have fun acting in the film. We never realised when the film was completed. When we did, we realised the party was over.

I realised that there's a more muscular approach to film-making that I found very inspiring.

I knew nothing about football, then someone showed me a film of Petit and I realised how interesting the game could be. He is divine. When I met him I could barely speak, he was so gorgeous. Women will love that show.

I did the Kannada film when just out of school. I didn't know anything about the South Indian film industry at that time, and I did the film to earn some pocket money. I realised then I like acting.

I had directed a short film called 'Girvhi' earlier, on child labour. It was a fictional story. At that time, I realised I could direct a film if given a chance.

'Blood Money' was a stand-alone film, but we worked double for it. We realised how difficult it is to sensitise people to anything new, especially when you don't have a star.

The best thing my parents did was to make me study in Chennai. I was in a school where most others around me were also from film industry families so none of us realised what our parents were.

I have realised that it's important to dedicate time to a film and role, no matter how big or small it is.

With 'Shallow Grave' people realised that you could set a film in Scotland and it didn't have to be about leaky boats in the Highlands. Then 'Trainspotting' made it fashionable.

I believe realism is nothing but an analysis of reality. Film scripts have a synthetical constitution.

'Martha Marcy May Marlene' is excellent. I adore how the film is both grounded in realism and, at the same time, it has an ethereal, nightmarish atmosphere.