Quotes About Film

From the time I could visually perceive film or TV, I was just enthralled by it. I thought it was the most wonderful thing in the world.

This medium of stop-motion, it can be much more than it's been kind of defined as - it's not just a creaky and anachronistic way of making films, it actually is a very vital art form that can do wonderful things if put in the right hands.

One of my favorite things to do is not to speak on screen. In theater it's different because there's a lot of emphasis on language - it's a different medium. But that is one of the most wonderful things about film. A person's face can say so much more than their voice can.

One of the wonderful things that I've always loved as an art student, what I always loved about comics, was that they are interpreted differently by different graphic artists all the time, so now film is doing that thanks to Marvel Studios.

A lot of people enjoyed the film 'Haywire' and a lot of people have mixed feelings on it but regardless, a lot of people have said really wonderful things about it being my first experience, that the fighting they absolutely enjoyed. So I think I've gotten a lot more fans, actually.

'12 Years A Slave' is a film that is beautifully shot, wonderfully acted, and told in a compelling manner. However, there are some questions, in my opinion, as to its importance. Paramount among those questions is, What does this scenario illustrate that we didn't know or haven't seen before? And why does such a film garner such popularity?

As a creative agency, the film industry is thinking great subjects, presenting them wonderfully well, and giving opportunity to new faces each day.

When you're lucky enough to have a good film made of your novel - and 'Never Let Me Go' is, believe me, a heartbreakingly good film indeed - you get wonderfully talented individuals each focusing on their special area.

I always think the really unfortunate thing about the Australian film industry is its lack of momentum. And I don't mean this in a derogatory way. I'm always wanting it to pick up momentum, and I'm wondering if that's even possible.

It hasn't really made it easier getting film work. It's not like I can call up a studio or a producer and say - insert haughty voice here - 'It's Parker. I guess you might know me as the indie queen. I'm wondering if you have any projects for me to be in.'

I remember, during an ad shoot, Anurag said to me that you are doing my film, and I was wondering do we really get films so easily. I thought you have to struggle and all. But he kept his word and offered me 'Gangs Of Wasseypur.'

With 'Badlapur', I wasn't even thinking about casting. I was wondering whether any producer will want to make a film with a story like this. It is not your expected, feel-good, or even your regular thriller.

There are perennial stories like 'Alice in Wonderland' and 'Sherlock Holmes' and those sorts of things, which have been around since almost as long as film, and 'Frankenstein' is another one. They're perennial favorites, which get remade every 20 years, and that's OK.

Characterisation is more important to me than the script. A decent story and extraordinary characters can do wonders for a film, but you cannot do it the other way around.

Part of me wonders what it would have been like to have had my first experience of India in a normal way, rather than through the eyes of a film.

To what extent a film works is beyond me. My first film 'Aashiq Banaya Aapne' did wonders at the box office. Then 'Chocolate' was also quite popular, but it didn't have the same effect as the first one.

I am very pleased to be working with director Woo.

I was always such an incredible fan of John Woo, I just wanted to do this film with him.

When I think that I'm the only actor from South Korea to have worked with John Woo, it's really humbling.

John Woo is a very nice and kind person; he gives almost no direction at all, trusting me to come up with the character. But when I think of him, I think of explosions!

I'd like to be played as a child by Natalie Wood. I'd have some romantic scenes as Audrey Hepburn and have gritty black-and-white scenes as Patricia Neal.

I only realized I could potentially make movies after seeing 'Ed Wood.'

With 'Louis Wain,' it's a very eccentric film and we had an incredible time. I never thought that me, Sharon Rooney, Andrea Riseborough and Aimee Lou Wood would get to be in the same family. None of us are cat people though, which when you have 20 cats on set is hilarious.

I've been doing theater for a long time, so that's something I understand. I'm such a babe in the woods when it comes to TV and film. I'm still learning. It's exciting.