Quotes About Film

Often times, music is used to evoke an emotion and it's become a cliche, so I don't want to do that, and actually what I do, is that emotional intensity that has developed throughout the film, I allow it to get released by having that music at the end with the credits.

I think if people who are attacking me or against me, if they would just watch one of my films, they would - they may not agree with me politically on all the things I'm saying. But they will know at the end of the film that I love this country and that I have a heart. And they'll have a good laugh throughout the film.

I hope to land roles where my presence is carried on throughout the film. I'm looking forward to taking on a role with a complicated backstory and yet someone who refuses to lose sight of hope. I know that it will happen someday.

'Flying Down to Rio' established RKO as a leader in musical film production throughout the 1930s. The film helped to rescue the studio from its financial straits and it gave a real boost to my movie career.

With every film, we form a small little world for a period of time. Everybody is close, and then one fine day everything is over. That can throw you off. So you have to learn to take things in your stride and not get too emotional about people or situations.

Making 'The Avengers' was very important to me, but it was also extremely arduous. I missed my friends and I missed my home, so I decided to throw them all on camera, which is the only way I seem to know to relate to people.

There are a lot of movies I'd like to throw away. That's not to say that I went in with that attitude. Any film I ever started, I went in with all the hope and best intentions in the world, but some films just don't work.

Sometimes we misunderstand what films can do. We just throw a whole book in there, with people just talking, talking, and talking. The picture can tell, the frame can tell.

For me, the movie's always evolving as I'm doing it. I throw things in as we shoot, and I take things out as we go. I want to create a whole life and then select the pieces that best sort of describe it later, you know? So there's a lot of wastage when I make a film.

I've been lucky enough to work with some great directors, and I don't want to throw that away by doing one big horrible big budget film.

I know that the classical world has resisted film composers throwing their hat into the classical concert music ring. And you know I don't think that's totally without justification. I think sometimes it seems to me there is a built in automatic prejudice against the whole idea of it. And it's very difficult to overcome that stigma.

Jen Murray, my stunt person, is totally comfortable getting thrown into a cabinet and onto the ground or getting hit by a car. I, on the other hand, am not. Nor would it look great on film, so she does it.

With film sometimes you're thrown in there and you literally hit the ground running, taking your best shot and just leave it up to the editing.

I was thrown in the deep end at 18 when I got cast in a movie that I didn't audition for. The director just sort of found me and put me in a film, so the decision was really made for me.

So many movies just have two pretty people thrown together.

Film is like a casserole. Everybody is thrown into a pot, and we're all in it together.

I think that the campaign that Fox Searchlight has thrown for 'Sound of My Voice' honors the film's roots and the film's integrity, and I don't think it overwhelms the film at all.

As far as producing, I was thrown into it on a film called Beasts of No Nation when we were in Ghana three months after I retired.

It was titled 'Confirmation' very purposefully. I wanted the film to be about that process - about how Judge Thomas and Anita Hill were thrown into a situation that was difficult for anyone to navigate, no matter what the truth was. It's hard to know what the truth is.

Not every director can always rise to the challenge of all of a sudden having $200 million thrown at them.

I guess the passion I have for cinema is as strong as the one that I have for music. And I've always tried to be a character in the film, not just a composer that throws his music to the film. That's the main element that connects me with directors.

When I was pitching 'Hooligans,' with a budget of $15 million, most people said they don't want to see a picture about soccer thugs.

We are thrilled to see that audiences across age groups, across India are loving 'Thugs of Hindostan' and have made our film a part of their Diwali plans.

In LA I was watching At the Movies with Ebert and Roper, it was, nice to see them differentiate between the subject matter and the art form of making the film, and they both gave it thumbs up, and I was kind of pleased at their honesty as far as reviewers go.