Quotes About Film

We were to work in a film titled 'Zabardast'. Unfortunately, this film didn't take off. After this, I never got another chance to work with him, I regret not having worked with Dilip Kumar.

Well, if you're talking about the current climate, there's a lack of content in American film because I think people are deeply confused about their emotions, and they don't regret certain aspects of their own foreign policy.

My biggest fear is that I might end up doing a film which I might regret at a later point of time.

Anurag wanted to cast me for 'Gangs of Wasseypur,' but he didn't approach me for it as he had an unflattering image of me in his mind. I regret big-time about this as I was very much willing to be part of such a powerful film.

I am enjoying every day of being in the film industry and have no regrets at all.

There's only one movie in my career I've had regrets with cutting it shorter, and I think some scenes maybe I shouldn't have cut.

I was offered some film roles, and I did not do them. It would have been interesting, but I have no regrets. I am where I am; I accept and embrace the mistakes because they're character-building and they build perspective and talent.

One of the biggest regrets I have in life is not getting an opportunity to work with Yash Chopra.

'Newhart' ran the longest, and it was great to have a regular role, but I run into a lot of film fans, and they ask me about 'Blade Runner.' I was grateful to be a part of that.

I've just tried to do everything I can personally to be the best quarterback I can be, whether it's doing extra work for my rehab, extra work in the film room, on the board, extra work out on the field with my drops and footwork.

In the theater, you didn't have any marks. Your instincts in rehearsal told you what the blocking was. On film, they reversed it. They decided ahead of time what your instincts were, before you even arrived.

Some films, you're lucky enough to get some rehearsal, which is just basic going through the scene, and, 'These are my questions, and this is what I'm trying to achieve,' and you work things out, and maybe a few line changes here or there.

Rehearsal for film is tough. Until the camera's there, everything changes.

I prefer film to the stage. I always like the rehearsal better than I like performing.

A movie is a filmed rehearsal in a way. The audience doesn't know that because you're taking out the things that don't work. There's no comparison to the theater because it's live. But making a movie is just as challenging and exciting, I find. A movie is pure process. The theater is the result of process.

On a film, they'll always say there's going to be a rehearsal period, and there never is.

I learned that the best way to work is to allow the scene to live on its own before making major adjustments, whether in rehearsal or on film.

There is something about the live performance of an orchestra that makes it very different to a film. With a film, you can rewrite it in a way with the material you have, and in rehearsals, you're really trying out different things. In an orchestra, you can't do that. They separate as soon as the performance factor comes into play.

It's amazing what a resource modern technology is now for making ballets, and I film my rehearsals almost every day.

I've done films where we don't rehearse, and I've done films where we heavily rehearse. I like rehearsals.

I like to rehearse with the actors scenes that are not in the script and will not be in the film because what we're really doing is trying to establish their character, and good acting to me is about reacting.

Other actors like to rehearse on film-they like 30 or 40 takes. When you get an actor like that, it becomes difficult for me because I'm ready to quit after number two.

I don't rehearse a lot. I try to keep it organic. Even in movies, the less I rehearse, the better I am.

I have a studio in a barn at home - we rehearse there, we film there and we record there. It's fun to hang out with my guys and see what comes out next.