Quotes About Film

'Poltergeist' was the film that scarred me for life. I saw it at such a young age - 5 or 6 years old - and it has one of the creepiest doll sequences with the clown, and ever since then, I've just been fascinated by dolls.

To expose the hardships experienced by children who are deprived of the right to attend school, Camfed has produced a series of films about educational exclusion. 'Every Child Belongs in School' provides a glimpse into the lives of children who have been forced by poverty to leave school at a very young age and take a difficult life path.

I was raised on movie sets, and I decided for myself at a very young age that it was what I wanted to do.

Bond is actually my dream role. Only because it was the film I watched with my grandfathers and father from a very young age, and it would be the only way that I could actually repay them with my art form for what they've done for me.

I worked from a very young age as an assistant director.

I really find comfort in watching film and obtaining knowledge and I use statistics and computer generated stuff to help me get those stats. That was probably a result of my father's influence on me at a young age.

I was watching 'The Godfather' at a very young age.

I think the thing about film is, as it gets proved by a lot of young filmmakers now, that the medium will just go on reinventing itself, and so you just hope to be a part of that and not a part of some kind of endless regurgitation or 'Here I am doing what you know I do' kind of thing.

In many ways, I was a typical young guy out of college. I was at Oxford, where every night there'd be a late showing of some great film.

As a kid, I always loved serialized books. It's the reason why people love 'Harry Potter.' Serialization is amazing. It works in television. It works in film and it works in books. Especially when you're a young kid, you get attached to these characters.

I do think there's not enough film history being taught and appreciated. Maybe it's being taught, but I've heard from professors that young kids don't want to look at black-and-white movies. And that's 85 years of film history, with masterpiece after masterpiece.

If I was a young man, I might have bypassed the whole comedian-actor thing and just been a filmmaker. Then I'd probably have spent my whole life going, 'I wonder if I could have been a comedian.'

When I made my first film, I had hardly ever seen a camera before, and I was a young man when I arrived in Paris from the suburbs. At the time, I didn't talk much. I was very shy, so the bluff served me. I was telling people that I had no money, and that I knew how to make films, but I had no proof.

The Parent Trap wouldn't have been as special without the remarkable performances by Hayley Mills.

I've never fallen into what I consider to be a trap of trying to figure out something analytically that could be a very popular film. I would hope my enthusiasm could match up with something with that potential.

In the case of 'Fantastic Woman,' I wanted to make it a more complex animal than just a 'cause' film. Even though I was sympathizing with the character's struggle, I didn't want to be trapped at that level - it's important, but it can be quite basic.

Career is a mindset. The wrong mindset. Career is linear. Especially when you are trapped in the TV or film world. The next thing you do has always got to be bigger, or it is perceived as a failure.

In a play, you can adjust your performance to audience reaction, but in a film, it's like you're trapped in a bad dream watching yourself act, and you're in the audience.

I directed this movie 'Jewtopia' that was based on a show I wrote which played Off Broadway for a number of years. I was trapped in 'Jewtopia'; it wasn't the film I wanted to make.

Public posturing notwithstanding, when trash becomes a hit no filmmaker worth his salt takes it seriously.

In a way, film and television are in the same sort of traumatic trance that print journalism is. The technology has outpaced our comprehension of its implications.

Many people think making a film about history... about war... about the Holocaust, it might be heavy, dramatic and traumatic. I don't see things like that... you can find irony everywhere. It's how I look at life.

There was a film that really affected me, 'La Strada' by Fellini, where Anthony Quinn and Giulietta Masina travel around on his little motorcycle thing.

I've always believed that as actors, one of the biggest advantages of being in the film business - not just of being actors, but being in this industry - is the fact that you get to travel so much, and you get to see places that you probably would not if you went just as a tourist.