Quotes About Film

Everyone always asks me, 'Do you want to be famous... ' I never really thought about becoming famous. I just want to work, to be able to put out inspiring and good film and TV.

It is odd there are many movies with many men. But generally movies have one woman, or maybe the older woman and the younger girl.

I use a lot of film images, analogies, and imagination.

And my first film was Carnal Knowledge, another amazing experience, largely because of Mike Nichols, who would tell me you can't do anything wrong because you're doing everything right.

The hairstyle that was chosen would impact how everyone—every filmgoing human—would envision me for the rest of my life. (And probably even beyond—it's hard to imagine any TV obituary not using a photo of that cute little round-faced girl with goofy buns on either side of her inexperienced head.)

So, I need to reacquaint myself with this sort of celebrity person I seem to be. Someone who was in an iconic, blockbuster film called Star Wars.

A man with a beard - Suzanne guessed he was an assistant director - came toward her, speaking into a walktie-talkie. "Yep, she just got here," he said. "I'll show her to her trailer." He smiled at her. "I'm Ted," he said, "designed to make your life a more annoying place to be." Suzanne smiled back, bowed her wet head, and said, "Suzanne, designed to be annoyed." Ted laughed. "Then we ought to get along great.

Half the pictures directed by men of reputation fail.

I'm developing a record company. I'm learning how to supervise music on a film.

Any film which views the darker side of life, which is death with a sense of humor, is very much to my taste.

I would like to do a science fiction film some day. Star Wars seems really to have destroyed the genre, which at one time offered great musical opportunities.

Even if I went off to some other career, I hope I would still be doing Coen films.

Hopefully each film can be given a musical voice of its own, which is not to say that the instrumentation is always unique, but that the relationship between the sound and the image is unique.

I loved photography and everybody said it was a crazy thing to do because in those days nobody made it into the film business. I mean, unless you were related to somebody there was no way in.

The first aim of a British film producer should be to teach Hollywood a lesson. Do not be misled, however, by the examples of Henry V or Pygmalion, which tend to prove that excellent films can be made of great plays without changing the out-of-date words of Shakespeare and the un-film-like dialogues of Shaw by ten 'experts' who really know better.

I loved making Pure Country. It was a great learning experience for me, seeing another part of the entertainment industry.

Dial M for Murder in my book, same director. And that

ya que la anatomía es el destino: un vacío, o una concha, una película sobre un vacío que ansía verse colmado en un mundo en el que nada se colma.

Pretty soon...do you realize there'll be so many additional childhoods and pasts with everybody writing about them everybody'll give up reading in despair-There'll be an Explosion of childhoods and pasts, they'll have to have a giant Brain print them out microscopically on film to be stored in a warehouse on Mars to give Heaven Seventy Kotis to catch up on all that reading- Seventy Million Million Kotis! - Whoopee! - Everything is free!

'Twilight' is such an amazing project, and I think it opened up doors for all of us cast members.

'Twilight' was a cult film, and the books were huge, but after 'New Moon,' it really blew up.

I'm re-teaming with the producers of 'Twilight,' whom I love and who I have an amazing relationship with.

With a genre like film noir, everyone has these assumptions and expectations. And once all of those things are in place, that's when you can really start to twist it about and mess around with it.

My first film crush was Mark Lester as Oliver Twist in the Carol Reed film.