Quotes About Film

I don't think a guy that really has no understanding about people, or has no interest in understanding people would make a good film composer.

I was doing specialisation in advertising. I had no interest in acting. One of my friends, who was doing specialisation in films, made a short film casting me. Luckily, I got a break, and my acting career took off.

If you make a film too American, it won't travel. It will have no life outside of its own country.

There's no point in making a movie just to be making a movie.

You can read a character that feels amazing, but if the world around it and all the writing around it - even the way the stage descriptions are written - don't feel just right, then you know there's no point in doing the project. No character is ever bigger than the whole film.

I have realized that there is no point doing a small film.

When I was shooting for the film 'No Problem,' there was a fire on the sets and I had some burn injuries in my leg.

Amanda Cardinale, Abby Koons, Emily Sweet, and Sharon Krassney also deserve my thanks. I appreciate all that you do. The Cyrus family deserves my thanks not only for welcoming me into their home, but for all they've done with the film. And a special thanks goes to

soon as I heard it, I knew it was perfect! And finally, thanks to Jason Reed, Jennifer Gibgot, and Adam Shankman for their work on the film version

I love the detail about the workings of the human heart and mind that only fiction can provide - film can't get in close enough.

Because it's a brilliant film. It's funny, and violent, and it's got Harvey Keitel and Tim Roth in it, and everything. And a cracking sound track. Maybe there's no comparison between Ian sleeping with Laura and Reservoir Dogs after all. Ian hasn't got Harvey Keitel and Tim Roth in him. And Ian's not funny. Or violent. And he's got a crap sound track, judging from what we used to hear through the ceiling. I've taken this as far as it will go.

It's like everyone's a supporting actor in the film of your life story. Of course. Isn't that how it works for everybody?

If you don't want something, it's hard—in the movie business, especially.

What if it's an art film with subtitles?" "Then I'll suffer in silence.

During the 1970s (and particularly because of Vietnam), it slowly became standard for absolutely everyone to go to college, particularly if they had no desire to get a real job. One of the results was a massive population of film school students, most of whom became waiters and valets in the 1980s. Since the vast majority of these Kubrick wannabes couldn't crack the motion picture industry, they saw opportunities to make minimovies in the world of rock 'n' roll.

So think how this might alter the memory of The Matrix : In some protracted reality, film historians will reinvestigate an extremely commercial action movie made by people who (unbeknownst to the audience) would eventually transition from male to female. Suddenly, the symbolic meaning of a universe with two worlds—one false and constructed, the other genuine and hidden—takes on an entirely new meaning.

The Brady Bunch Movie, released in February of 1995

What you find out fairly quickly in Hollywood," Tarantino told the BBC in 1994, "is that this is a community where hardly anybody trusts their own opinion. People want people to tell them what is good. What to like, what not to like. But here I come. I'm a film geek. My opinion is everything. You can all disagree with me. I don't care.

What never failed to boggle Daisy was how Judy Garland had only just arrived in this glorious colorful place and she immediately wanted to run back to some boring pig farm. The fact that everyone else loved the film...what did that say about people? It says that most people can tolerate being over the rainbow for only about thirty seconds.

The first rule of film club is you don't talk about Rosebud.

Jump back twenty years to the white house where I grew up with my father shooting super-8 movies of my brother and me running around the yard. Jump to present time with my folks sitting on lawn chairs at night, and watching these same super-8 movies projected on the white side of the same white house, twenty years later.

3 kapitola o promítání filmu a podprahových obrázcích, konkrétnÄ› erekce* Jedno okénko filmu je na plátnÄ› jednu Å¡edesátinu sekundy. RozdÄ›l sekundu na Å¡edesát stejných ?ástí. Tak si udÄ›láÅ¡ pÃ…â"¢edstavu , jak dlouho ta erekce trvá.

suffering. Take the fate of the sick—especially those who are incurable. I once read a letter written by a young invalid, in which he told a friend that he had just found out he would not live for long, that even an operation would be of no help. He wrote further that he remembered a film he had seen in which a man was portrayed who waited for death in a

consider a movie: it consists of thousands upon thousands of individual pictures, and each of them makes sense and carries a meaning, yet the meaning of the whole film cannot be seen before its last sequence is shown. However, we cannot understand the whole film without having first understood each of its components, each of the individual pictures. Isn't it the same with life?