Quotes About Film

I don't feel comfortable with violence, and I'm not sure that I film violent scenes properly, and it's something I'm reticent to do, and yet violence is sort of in all of my films.

Once you do something violent in a film, you don't have to do too much. You do it once and the feeling of violence just stays there, do you know what I'm saying?

If you look at 1983, the film of the year was 'Terms of Endearment.' 'Scarface' was lumped in under the gratuitously violent banner. I mean, we knew it was violent, that it depicted a violent time and place. But it wasn't the end-all of the thing.

The more you learn about the science of boxing, the more appreciation you have for man's ability to think and perform in violent situations, and that's what interests me in film.

The main problem with films is that everybody always thinks of us as a violent people. We are not. We are spiritual. And when you show someone without a sense of humor or families, which is the way you usually see Indians in movies, then they are without a spiritual base and become subhuman.

I worked with Michelle Yeoh on my last film, 'Far North,' and her partner is Jean Todt; at the time, he ran Ferrari. So I went as a VIP to the British grand prix.

While shooting for 'Kodi' at Pollachi, I got this new idea for 'VIP 2'.

There are all sorts of inventive ways to get your film out there: sometimes via the Internet, sometimes via viral screenings in people's living rooms across the country.

The secret is not to make a film that causes something like Virginia Tech to happen. The secret is to make a film that stops it happening.

'The Fugitive Kind,' 'Rope,' 'Who's Afraid of Virginia Woolf?' - I watched all these as a way of reminding myself that you can do a movie based on a play. You can do a movie that stays in one place for a long stretch.

The video game culture was an important thing to keep alive in the film because we're in a new era right now. The idea that kids can play video games like Grand Theft Auto or any video game is amazing. The video games are one step before a whole other virtual universe.

I don't do that virtual reality stuff. I'm not even into 3D, actually... I've been offered it. I just don't want to.

There isn't much improvisation in film - there's virtually none. The people that theoretically could be good at this in a theater situation don't necessarily do this in a film in a way that will work, because it's much broader on a stage.

Films are meant solely to provide entertainment. There are no lessons to be learnt and and inferences to be drawn. Has anyone become dutiful and law abiding after seeing a film that espouses these very virtues? Films can do no more than influence fashion, decor, and hairstyle trends.

Critics in particular treat CGI as a virus that's infecting film.

I booked a horror film called 'Where the Devil Hides.' It's... you know, a horror film. But it was the first full-length movie I'd ever done, and it got me my visa, and I could start work.

'Up the Junction' went on to inform my love of British social realism. It was the first film I saw of this ilk, a very stark, visceral reflection of England, an England I didn't necessarily feel a part of but that I knew was out there. You could almost smell the bread and butter and cabbage.

Whatever I do, I'm always struggling to create a visceral experience. With my music, I'm more of a live performer these days. And film is such a different thing. It's where people sit in a dark theater. I want them to feel me as viscerally as if they were at a live show.

I personally am a very big fan of 'Romeo + Juliet.' It had a visceral power to it that I thought was just exhilarating. It was a very arresting and very disturbing and deeply compelling version of the play.

Theater's wonderful because it's visceral, and it's happening in front of you, but you never get that close. So the close-up is a great privilege of film.

Because of the power of television, I was visible to everybody all over the world. But there are many things in the theater that are more fulfilling and that I look forward to doing more. But really, I love it all: theater, film, television.

This role is more visible, and I grew up without a lot of that sort of modeling so I'm relieved and proud to have done this film.

In the film industry, we tend to pick up where others have left off, and I'd like to think the influences I picked up from Bruce Lee, Jackie Chan, Sylvester Stallone and Jean-Claude Van Damme are visible in my work.

I think my recognizability ebbs and flows. I don't lead a particularly celebrity lifestyle or anything like that. I don't go to showbiz parties or red-carpet events, so it all depends on whether I've got a film out. I've not been very visible in the last year or so and as a result hardly anyone stops me in the street.