Quotes About Film

As an artist, I am very proud of 'Ek Thi Daayan.' It was a supernatural flick and a huge risk, since not many films are made like that.

I joke and I say, 'I need to go back to make a supernatural horror film just to so that I can make a movie that's grounded again.'

With good content, a solid director can make a film without a superstar.

Superstar,' my first Gujarati film is a game changer for the Gujarati film industry. When I saw it on the big screen, I had goosebumps.

I am a huge fan of Superstar Rajinikanth. It is he who introduced me to this film industry. And I first saw my Raghavendra Swamy in him.

There were no bizarre action sequences so to say but I broke my foot while shooting. It is a superstition where they say if an actor breaks a foot or injures himself during the shoot then the film goes on to become a hit. So let's just say this time I take the credit for the success of 'Dhoom 3'.

Youth theatre isn't just about a precocious child that wants to sing and dance in front of people. It's for everyone; it's about a community, it's about being supported by your peer group. You learn skills - not just acting but all the other sides - working in the TV, film, and theatre industry.

Good actors have always supported each other's performances in a film, and the same happened in 'Bareilly Ki Barfi.' We all supported each other throughout.

Hugh Grant is about the only actor I've met who has taken any proper interest in football, being a big Fulham supporter. But he'd be far too good-looking to play me in any film.

It's a deliberate choice. I am a fervent supporter of the idea that you don't have to have wall-to-wall music in good films.

I am only looking forward to good film script. It doesn't matter if the role is a supporting or a standalone role.

In Europe, there is no television filmmaking legislation that could assist film production because private broadcasters are not interested in supporting Polish film.

I feel so comfortable in an acting role, you know, as an actor. Maybe it's because I came into it late. If anything, I've felt frustrated that I can't carry a film because everything since 'District 9' has been supporting roles.

When you're playing a supporting character, you don't really have a lot of control of the quality of the film.

People are saying we need more females in our industry and we need more female-driven stories, but that takes the men of bankable star quality to come forward and play supporting roles in those films because, ultimately, that's what the women have always done.

My first movie role was a supporting performance in a Canadian film called 'Final Lady.' It was a great opportunity for me at the time.

If we look at 'Black Panther,' it did so well. There were a bunch of supporting black characters in the movies for years and then it took a long time, but finally they did make that.

I did a short film called 'Disco' and won an award for Best Supporting Actor at an indie film festival, and that was nice. Hopefully there's lots more to come.

It's my job as a supporting actor - which I usually am - to support the film: to make 1, 2, or 3 on the call sheet look good.

I loved making 'The Hunger Games' - it was the happiest experience of my professional life. Lionsgate was supportive of me in a manner that few directors ever experience in a franchise: they empowered me to make the film I wanted to make and backed the movie in a way that requires no explanation beyond the remarkable results.

I'm so critical of myself. I'm actually really, really proud of the film. It's really cool to see a movie at Sundance because everybody is so supportive.

The fans that I have met so far have been nothing but supportive and extremely passionate about the books. I feel so honored to meet all these people. Something like this, which I think is bigger than anyone in the film, it's pretty crazy.

I love it when I see somebody else make a great film. I think there is a great supportive film community, even though the awards seem to do something weird to that.

Since the dawn of Louisiana's modern-era film program in 2002, we have played host to more than $6 billion in film and TV production. We've developed an infrastructure that supports thousands of jobs, boosts small businesses and communities statewide, and provides a powerful impact that we seek to retain.