Quotes About Film

I've often thought that my background in rock 'n' roll has gone to waste in film work. My background was that I was a rock 'n' roll drummer and I don't think I used drums in my first ten years of film scoring.

A film is a terrible thing to waste.

I don't believe in publicity before a film is completed. It costs you money and wastes your energy, and you're inflating your balloon before you have a balloon.

For me, the work begins with a rough cut of the film. I can't do much with the script. I've tried to write music to a script prior to seeing the film, but I've found it turns out to be a waste of time.

Honestly, I think the combine is a waste of time. The effort should be in film watching, physicals, and mental evaluations.

Film work can be anything from just really hard and stressful and you're subjected to really weird deadlines to really draconian and weird and disconnected. You're working in service of the thing, and that can be really amazing for everyone involved, or be kind of just a waste of time.

A lot of people get very misty-eyed about celluloid. When I think of the time that's wasted in sending it back to the lab and having it developed and brought back, it would make me insane. I love getting my hands on the stuff immediately. That doesn't work for everybody. It just works for me.

I have seen many times in 100 Crs films there is no content, in short only money is wasted.

I decided at 40 I was wasting entire chunks of my brain and didn't want to blow my one chance on Earth. I'm glad I made that decision. Writing is largely about time, while visual art is largely about space. Sometimes, as with film, you can hybridize, but I think it's basically the space part of my brain wanting equal footing with the time part.

There's some ignorant people in the world, and if I spend time trying to convince people to think like me, I'll be wasting valuable time I could use to be growing my business, perfecting my craft as a fighter, watching film, studying, or just enjoying time with my family. Or just sleeping.

You make sure that there's a structure that's interesting for them to play on top of, then do temp versions and try it on the film. By the time the players come to the recording session, I've found what works. So I'm not wasting their time.

If you have skills to pull off even a four-hour film, people will go and watch it.

Every actor is alive because of his/her fans. I'm glad that my fans love me so much. I have an immense responsibility towards them. That's why I'm careful while signing a film. What is also important is to judge whether I would like to watch the film as an audience or not.

'Matilda' was my favorite movie to film and my favorite to watch, as well.

I always write these movies that are far too big for any paying customer to sit down and watch from beginning to end, and so I always have this big novel that I have to adapt into a movie as I go.

I have always been fascinated by the way music can completely change the way you watch film - and how you feel as you watch the images.

Typically, when you read, you have more time to think. Reading gives you a unique pause button for comprehension and insight. By and large, with oral language - when you watch a film or listen to a tape - you don't press pause.

The main objective of our cinema is to entertain. If you can pass on a message at the same time, that is fantastic, but if the audience does not feel they are going to be entertained by the film, they are not going to watch it. There are many examples of very responsible and great films that are being made, but nobody goes to watch them.

Also, if you watch the film once, there are lots of things that you won't get because there are punch lines in the first act, the setup to which isn't until the second act.

'Pulp Fiction' was probably one of the first films I ever saw that really kind of took effect on me. I was about four years old - obviously wasn't supposed to be seeing that film; my sister kind of sneaked it out and we got to see it. She's older than me. That was something I always used to watch.

I run upright mostly when I see daylight, so if you watch film you'll see I don't get hit in the chest much.

For me, I can't watch violence when it's too grotesque, and it's just like, that's revolting to watch. I don't enjoy it. But when it's a Tarantino film, I'm lining up outside the door to see it, and I'm expecting to see something really crazy, a lot of blood, and for it to be funny.

When I have to score a film, I watch the movie first and then start thinking about it. And from that moment on, it is as if I were pregnant. I then have to deliver the child, so from that moment on, I think always about the music - even when I go to the grocery store, I think about it.

The best conversation with Stanley Kubrick is a silent one: you sit in a theatre and watch his films and you learn so much.