Quotes About Feedback

The feedback that I get from my association with Gomez is heartwarming. It is very difficult for me to take anything but a positive view of the Gomez phenomenon.

Most of the fans have ideas about their perfect phone. But many of them can't do it because building a phone is tough. So they would give us feedback about the features that they think should be included in our next model. And if we incorporated that in our new phone, they will share the good news with their friends.

There are some elements of digital photography that I don't really like, such as the fact that you see the results immediately.

You are physically up for scrutiny by everyone and you hear everyone's opinion.

If you go into any physics lab, everybody is depressed and feels isolated. We don't get any feedback that anybody cares about what we're doing.

My brain is here for the picking, and a lot of people are calling me to see what I think about their business, and I'm brutally honest with them.

Collaboration is all about rewriting and rewriting and rewriting and helping each other to constantly improve a piece. And, it's also about spurring each other on to doing really great, hard work - it's easier to do it in a collaboration than on your own.

I try to read everything that's sent me - play scripts, movie scripts - but I've had to make a rule. If the author hasn't grabbed me by Page 25, the piece goes back with a note of apology.

Frankly, the hardest pieces of feedback we got in the U.S. was, 'I would love if more of our friends were on Path. It's hard to get them to join.'

What happens a lot in film, though not so much in the theatre, is that you get stroked and sort of massaged, like a little guinea pig.

I get 100 e-mails a day from Americans who say, 'What you're doing is cool - can we work for you?' From Germans, I also get 100 e-mails a day, saying, 'You fat pig!' or 'You're a liar and a criminal!' I'm trying to change this.

I get a lot of emails of scripts and pilots, and they want me to give feedback, and sometimes I can't because it's so many.

I feel great when people say good things about me. But what's important is that I have to show it on the pitch.

We just wanna see where we stand at right now with our fans.

The hardest thing about being famous is that people are always nice to you. You're in a conversation and everybody's agreeing with what you're saying - even if you say something totally crazy. You need people who can tell you what you don't want to hear.

If I go play 'Modern Warfare,' I'll find a hundred different things I'd like done differently. And I don't have the discipline to not express my opinion.

When 'Attachments' came out and people liked it, I'd have a warm feeling of having made a connection.

Playwrights are naturally wary and protective - God, who's more protective than a playwright? You read a play, the playwright wants to hear from you immediately.

When someone praises me, I get wary. If someone has something negative to say, I invite them over for a long chat. They are important for my growth as an actor.

I actually got a lot of negative feedback about my hair on 'The Bachelor' because I like to just wash it and go.

Execution not only ensures efficient use of resources in a credit and cash-starved world, but also provides the feedback loop needed for the business to adjust to changes—big or small—in the external world.

Launch Fast" is Paul Graham's mantra. Move from the idea to a minimally functional product as quickly as possible. Only by getting a product into the hands of customers, even if the product is only a prototype, is it possible to know what customers want.1 Launching fast is how to make something people want. Judging by the advice that they

The kinds of attention we get on social media is really very much like crack cocaine. We have social obesity I call it—we can't stop our consumption of opportunities to display ourselves and get feedback from other people.

If one isn't ready for the feedback, one shouldn't ask.