Quotes About Authenticity

All the basic situations in life occur only once, never to return. For a man to be a man, he must be fully aware of this never-to-return. Drink it to the dregs. No cheating allowed. No making believe it's not there. Modern man cheats. He tries to get around all the milestones on the road from birth to death.

Agnes subtracts from her self everything that is exterior and borrowed, in order to come closer to her sheer essence (even with the risk that zero lurks at the bottom of the subtraction). Laura's method is precisely the opposite: in order to make her self ever more visible, perceivable, seizable, sizeable, she keeps adding to it more and more attributes and she attempts to identify herself with them (with the risk that the essence of the self may be buried by the additional attributes).

We live everything as it comes, without warning, like an actor going on cold. And what can life be worth if the first rehearsal for life is life itself?

She knew only too well that the song was a beautiful lie. As soon as kitsch is recognized for the lie it is, it moves into the context of non-kitsch, thus losing its authoritarian power and becoming as touching as any other human weakness. For none among us is superman enough to escape kitsch completely. No matter how we scorn it, kitsch is an integral part of the human condition.

A mismatched outfit, a slightly defective denture, an exquisite mediocrity of the soul-those are the details that make a woman real, alive. The women you see on posters or in fashion magazines-the ones all the women try to imitate nowadays-how can they be attractive? They have no reality of their own; they're just the sum of a set of abstract rules. They aren't born of human bodies; they hatch ready-made from the computers

In the kingdom of kitsch you would be a monster

vivre dans la vérité, ne mentir ni à soi-même ni aux autres, ce n'est possible qu'à la condition de vivre sans public. Dès lors qu'il y a un témoin à nos actes, nous nous adaptons bon gré mal gré aux yeux qui nous observent, et plus rien de ce que nous faisons n'est vrai. Avoir un public, penser à un public, c'est vivre dans le mensonge (partie III, ch. 7)

There is no perfection only life Milan Kundera, The Unbearable Lightness Of Being

He took a look at the blond girl's eyes and knew that he must not take part in the rigged game in which the ephemeral passes for the eternal and the small for the big, that he must not take part in the rigged game called love.

Whe you sit face to face with someone who is pleasant, respectful and polite, you have a hard time reminding yourself that nothing he says is true, that nothing is sincere. Maintaining nonbelief requires a tremendous effort and the proper training.

Lorsque le cÅ"ur a parlé, il n'estpas convenable que la raison élève des objections. Au royaume du Kitsch s'exerce la dictature du cÅ"ur.

The young can't help playacting; themselves incomplete, they are thrust by life into a completed world where they are compelled to act fully grown. They therefore adopt forms, patterns, models— those that are in fashion, that suit, that please—and enact them.

I might put it another way: Franz felt his book life to be unreal. He yearned for real life, for the touch of people walking side by side with him, for their shouts. It never occurred to him that what he considered unreal (the work he did in the solitude of the office or library) was in fact his real life, whereas the parades he imagined to be reality were nothing but theater, dance, carnival- in other words, a dream.

The moment someone keeps an eye on what we do, we involuntarily make allowances for that eye, and nothing we do is truthful.

If every life is unique, let's live uniquely. Let's reject everything that is not fresh and new. It is necessary to be absolutely modern.

Don't lie!' 'Tell the truth!' are words which we must never say to another person in so far as we consider him our equal.

Franz, on the other hand, was certain that the division of life into private and public spheres is the source of all lies: a person is one thing in private and something quite different in public. For Franz, living in truth meant breaking down the barriers between the private and the public. He was fond of quoting André Breton on the desirability of living in a glass house into which everyone can look and there are no secrets.

I was not a hypocrite, with one real face and several false ones. I had several faces because I was young and didn't know who I was or wanted to be. (I was frightened by the differences between one face and the next; none of them seemed to fit me properly, and I groped my way clumsily among them.

kitschul este, in esenta, negatia absoluta a cacatului; atit in sensul propriu cit si in cel figurat al cuvintului; kitschul exclude din cimpul sau vizual tot ce-i esential inacceptabil in existenta umana.

Il fardello più pesante è quindi allo stesso tempo l'immagine del più intenso compimento vitale. Quanto più il fardello è pesante, tanto più la nostra vita è vicina alla terra, tanto più è reale e autentica

Toda repetición es solo una imitación y toda imitación carece de valor.

He had come to find out once and for all that neither parades nor Sabina but rather the girl with the glasses was his real life, his only real life! He had come to find out that reality was more than a dream, much more than a dream!

Y así es como funciona el mundo que nos rodea. Si insistiese en decirle la verdad a la cara, eso significaría que me lo tomo en serio. Y tomarse en serio algo tan poco serio significa perder la seriedad. Yo, hermano, tengo que mentir si no quiero tomarme en serio a los locos y convertirme yo mismo en uno de los locos.

Al igual que todos nosotros, Klima también consideraba real únicamente aquello que llega a nuestra vida desde dentro, gradual, orgánicamente, mientras que a lo que llega desde fuera, inesperada y casualmente, lo veía como si fuera una invasión de lo irreal. Por desgracia no hay nada más real que esta irrealidad.