Quotes About Experimentation

I love all types of braids. Single, multiple, box braids - I try them all.

As an actress who wants to sustain her career, I would like to work and experiment with different types of looks and performances.

There are two different types of prototyping. First, the gut sense. You know how far you can take it. Second, you need experts to figure out whether or not it is attainable.

I'm open to trying multiple different types of styles.

Ever since I was like 13 and 14 writing music, I said, I have to be able to do different types. Because if you just keep doing the same thing over and over again, it will just get boring.

My whole M.O. in my 20s was being in as many different types of films as you can. Working with as many different types of directors as you can. I think, in part, that's what I wanted to do as an actor.

The best way to do that is to pick up a new instrument or an instrument that you don't typically write on and see where it takes you. Whether it's using an acoustic guitar, or piano, or electronics as tools, all of these lead to creating different types of songs and I used all of these methods for this record.

If I've done anything intentional about my career, is that I really have not - I've chosen to try to do as many different types of things as possible. That's really what I like to do.

What they call 'alt-comedy' now is basically what comedy was like in the '80s. People tried different things, and everybody went to the clubs; there was no other place. Then somehow, the clubs became infiltrated by Dice Clay and Carrot Top types.

I love that I can play around with all types of music.

Middle school was my most awkward stage. I switched schools after the sixth grade after having gone to the same school for six years with the same group of 40 kids. It was a shock. I reinvented myself. I experimented with different styles, different groups of friends, and different types of music and not knowing how to be cool.

I think it took me until - my twenties were really a time of exploration and experimentation with different groups and different types of music. Then I kind of developed the sound, which first appeared, I guess, on my first solo album 'Englaborn,' which came out in 2001.

I get bored with music so I try to listen to things in different types of genre to see what's possible.

This sounds really craven on some level, but on some level, a lot of what I'm doing is trying to not do a typical TV show.

I always like playing with some sort of typical convention or idea and turning it over.

We're not playing your typical guitar tuning, so there is no normal chords for us to get our footing with. We're pretty much making it up as we go as far as the sounds we're creating. Oftentimes, the song will be inspired by just a certain kind of block of sound that somebody creates.

Performance art is the ultimate in creativity. Since it has so many possibilities at creativity, it's essence tends to become creativity.

As history has shown, pure science research ultimately ends up applying to something. We just don't know it at the time.

Television is ultimately a business of failure. You try a lot of things, and most of it fails.

I became almost immediately fascinated by the possibilities of trying out all conceivable reactions with them, some leading to explosions, others to unbearable poisoning of the air in our house, frightening my parents.

I remember films I made at university, which are unbelievably pretentious. Poetry that I'd written that I delivered to camera, against a Venetian blind, strong shadows, looking slightly off-camera.

Basic research is what I am doing when I don't know what I am doing.

Sometimes one must try anything, it is no disgrace. On the contrary, it is a sign of wisdom.

All discoveries in art and science result from an accumulation of errors.