Quotes About Experimentation

Once, when I was 14 I thought easily the most glamorous thing was white eyeliner inside the eye and then heavy lip liner round the mouth. I think I looked repellent.

In any art form, in Hollywood or in music, there is a handful of people who really, you know, move the envelope.

I'm interested in using evolution to move forward into the future, to get biology to do a lot of new chemistry for us.

If it works, good, if it doesn't, then move on, I will try something else. This is my style of humor and with time, I've understood that people like it and it is working.

I decided to see how my voice sounds on different type of records. So I did Eminem and the Biggie, Florence and the Machine, and Muse covers. A couple of them just came from some jam sessions between me and my sister in her bedroom at my father's house in San Diego.

Our first radio single, 'The Stage,' was eight-and-a-half minutes long. Unabashedly, we wanted to push the limits musically, lyrically, and instrumentation-wise.

We want to push boundaries musically if we can and come at things from a different direction.

I like living on that edge, musically. I like a bit of insecurity and that feeling of not really knowing what's going to happen.

It's always my mission to try to do something that hasn't been done before, whether that's musically, lyrically or in terms of mixing.

A rock musician's career is short-lived. To extend it, you need to do other things to keep yourself fresh.

I don't think I've ever been true to jazz. There's always a kind of jazz element to what I do. There are a very few genres that I haven't tried out, really, in what I've been doing. As a jazz musician, you can kind of mess about with things with a certain level of musicianship, which helps.

Musicians tend to get bored playing the same thing over and over, so I think it's natural to experiment.

Lots of musicians from non-filmi backgrounds and from independent bands are making it to mainstream cinema. Even the music directors are experimenting with different genres.

I'm always trying to think of something clever and fun to do with the music. There's so many cool things musicians and artists can do with their products.

Certain jazz musicians just copy what was done 100 years ago. The music won't grow if nobody takes a risk.

I can fry hollandaise, I can fry ketchup, I can fry mustard.

All the time I'm trying to evolve, I'm trying to do different things, bring new flavours to people, not just put my name on the something for the sake of it.

All these other nations seem to appreciate what I'm doing and they want me to play the furthest out things.

But that is how one learns, is it not? By trying and failing?

In his quest to find the perfect supersoldier, he experimented on the girls and when he thought he perfected what he was looking for, he psychically and genetically enhanced the soldiers in his GhostWalker program.

Bad habits have brought me this far: why change such a tried-and-true formula?

Evolution doesn't really have a destination. It's just dicking around with possibilities.

The physics are simple in theory, but in practice they are filled with the possibility for limitless error.

What people somehow forgot to mention when we were children was that we need to make messes in order to find out who we are and why we are here.