Quotes About Atmosphere

A bad audition is usually the director's fault, not the actor's. It's up to the director to get the atmosphere right to get the best out of your auditionees.

But I really felt that, something about the lights going down, and the sense of community. I saw this movie at one festival, and there were 1700 people.

Playing a room, it's a real dictator-type situation - you can really move the crowd the way you want to. In a festival, there's a sea of people, and it's harder to lock in on any one group.

I love the crowds at festivals because they're so chilled out.

Download was one of the best festivals I've ever been to.

The Lighthouse' isn't scary. A few people have said it is, but I don't think it is.

I love big fights, the atmosphere, love the people who don't want me to win. It brings out the dog in me.

In England, I think we get about 30,000 for maybe an FA Cup final, and there are lots of kids on the seats, which is nice - don't get me wrong - but it's a calm atmosphere.

But that's fine, because I like to have control of the ambience.

The air of England has long been too pure for a slave, and every man is free who breathes it.

In Portland, it rains all the time - but who cares? That's not funny. That's not universal.

Often in gothic novels there's a large house, an estate, and it's symbolic of that culture. Usually it's sort of moldering or rotted or something, and sometimes it's a whole community.

I was wholeheartedly attracted to the conservative atmosphere that permeated the city of Washington.

For millions of years, this world has been a great gift to nearly everything living on it, a planet whose atmosphere, temperature, air, water, seasons, and weather were precisely calibrated to allow us - the big us, including forests and oceans, species large and small - to flourish.

It's all about the vibes. That's why it's called 'Vibras' in Spanish.

If I can create an atmosphere to make my job easier and your confidence less, why not?

In England, rain was thin and cold, and made you hunch up inside your coat, walking home from the bus stop. In Jamaica, it was wide and thick and invited you to step into it, and see how wet you could get, and be thrilled that it was warmer than the sea and warmer than your skin; it was abandon.

In putting setting to work, I like to think about long shots and close-ups. The long shot is the overall view of the place in which the characters live - the island, the town, the wide sweep of place. Then we narrow in. The close-up, the tight focus, makes the place different from anywhere else.

Hubble orbits high, outside Earth's atmosphere so it can see a wide spectrum of light our atmosphere blocks.

Enya was a huge deal for me. That kind of woman vocals and how wide those productions were.

St. Louis sprawls where mighty rivers meet - as broad as Philadelphia, but three stories high instead of two, with wider streets and dirtier atmosphere, over the dull-brown of wide, calm rivers. The city overflows into the valleys of Illinois and lies there, writhing under its grimy cloud.

At Wembley, everything is bigger, wider; the atmosphere is different.

So many times, shows say they're set somewhere - like in Chicago, 'The Good Wife' - but it doesn't feel like Chicago.

Parklife is one of the festivals I most look forward to. The crowds are wild; I love seeing that energy, those sweaty moshpits.