Quotes About Atmosphere

Noise does not disturb me, as I think that it gives a quaint atmosphere to a picture that fully matches my vision of nature and the wild species I like to photograph.

I would love for there to be a 'Voodoo Dreams' movie, especially after seeing the glorious 'Beasts of the Southern Wild.' I so admired how the filmmakers captured Louisiana and the magical atmosphere. I cried.

People tend to think of Brisbane as a sleepy, sub-topical place. I don't know. It's like Baltimore or something. I don't know. You would hear the family dramas going on behind closed doors.

My favorite Starbucks is nice - Omaha Starbucks stores tend to be friendlier than big-city ones, and the baristas are especially lovely at mine - but it's still a Starbucks.

One of the problems I have with a lot of movies these days is that everything is too well lit. In the world of digital creations there is a tendency to show too much.

In the '60s, '70s and '80s, everybody was pretty tense on the set.

You can cut the tension with a cricket stump.

On my sets, everybody seems very relaxed. I always try to avoid any tension before it even begins. A shooting has to be like a party. The creative process must be joyful, even if the final result is meant to be sad or scary.

There was so much going on in 1936 with the height of the Great Depression and the Spanish Civil War and Germany on the move and all of those things. There was a tension in the air.

Building and sustaining tension is always my priority, so home entertainment provides challenges to that.

I suppose I was interested in creating a vision; in the same way, I was very drawn to tension within cinema. Hitchcock was my other early obsession - 'Psycho' and its score. So there was the sense of trying to create an atmosphere: how a sound resonates and makes an effect.

Eoin Morgan and Joe Root have a really calm and open changing room. There's no tension there. You don't have to be walking on egg shells around any of the players.

There's a tension in Washington that was undeniable. I could write my name in the air there.

Normally you have more adrenaline, and more tension inside your body when you walk in and see the 80,000 fans screaming.

I'm not keen on terms like 'lounge' or 'chill out.'

It's very difficult to get an audience to be terrified of what's going on. Think about it: You're in a room with so many other people, so for them to be terrified and to care about what's going on on-screen takes a lot of work.

'The Globe' is one of the most terrifying theatres in London. It's that mob element - everyone packed in and staring up at you.

There is really no such thing as terrifying people. It's the situation and the scene that count. Not the actor.

Pink Floyd, the most successful progressive rock band of all time, have stood the test of time because the emphasis was always on melody and atmosphere.

The atmosphere and the first days of Test matches against Australia are incredible.

You can absolutely drive through an atmospheric bomb test and not be affected.

I think early on in my career, I was heavily inspired by bands like Throbbing Gristle and Test Dept, and films of David Lynch, for example, where the soundscape plays a very important role in the listening experience.

A musician's true talent is only tested through background music.

One of the most impressive aspects of contemporary war is the intoxicating atmosphere of spiritual unity that arises out of the common consciousness of participating in a moral crusade.