Quotes About Sensory

There is nothing is more musical than a sunset. He who feels what he sees will find no more beautiful example of development in all that book which, alas, musicians read but too little - the book of Nature.

I look out the chair while eating my pillow. I open the wall, I walk with my ears. I have ten eyes to walk with and two fingers to look with. I put my head on the floor to sit down, I put my bottom on the ceiling. After eating the music box, I spread jam on the rug for a great dessert.

Technology is improving to prevent musicians from losing their hearing while performing on stage... audience members losing their hearing from listening to loud music... people being able to experience music not just with their ears, but with touch or with through their eyes.

The works of previous artists have come from their own experiences or insights but haven't given the experience itself. They had set themselves up as a sort of interpreter to the layman... Our interest is in a form where you realize that the media are just perception.

And left the flushed print in a poppy there.

First, kids should be involved in the production of their own food. They have to get their hands in the dirt, they have to grow things. They also have to become sensually stimulated, and the way to begin is with a bakery.

We treat human biology as our center point. Everyone already has a head-mounted display. It's your head!

With Magic Leap, your brain doesn't distinguish what's real and what's Magic Leap. Because as far as your brain's concerned, it is real.

Dining should be a delightful and a beautiful experience.

As a major contemporary composer, Madonna should not let the eye dictate to the ear.

You have to make an audience experience with the ears as well as their eyes.

A woman is more beautiful than the world in which I live; and so I close my eyes.

A slice of perfectly buttered, warm-from-the-oven bread has been known to bring tears to my eyes.

Sometimes a poem appeals to me technically, just because of the way a line feels on my lips. Sometimes it is because it says something I have felt, or sometimes something that I suddenly recognise. Other times it can change the way I see something.

Animal vision - including human vision - is so biased toward movement that we don't technically see stationary objects at all.

I first read Harper Lee's 'To Kill a Mockingbird' as a teen in school, like you did. I read the book alone, eating lunch at my locker, neatly scored oranges my mother divided into five lines with a circle at the top, so my fingers could dig more easily into the orange skin. To this day, the smell of oranges reminds me of 'Mockingbird.'

Growing up, I would have to watch the other children and learn from my mistakes. I would have to push myself to overcome the things most people don't have to think about. Brushing my teeth was very difficult because of the noise of the brush.

When Jett puts my face in his hands and tells me, 'Mommy you're so pretty' or smells me, it's so wonderful.

The biggest hits - be they Coca-Cola or Doritos - owe their success to complex formulas that pique the taste buds enough to be alluring but don't have a distinct, overriding single flavor that tells the brain to stop eating.

The thing you realize when you get into studying neuroscience, even a little bit, is that everything is connected to everything else. So it's as if the brain is trying to use everything at its disposal - what it is seeing, what it is hearing, what is the temperature, past experience.

A colour is a physical object as soon as we consider its dependence, for instance, upon its luminous source, upon other colours, upon temperatures, upon spaces, and so forth.

Chez Panisse is a sensory temple - you might have to be made of stone not to fall for it.

The sound of your voice, your radiant looks, Your smell the smell of your hair and many other things will live on inside me.

To those who enjoy breathing the smell of incense, I recommend a different profession. The photographer pulls the sleeve of the rushed man with a blank stare and shows him the free and permanent show of the street.