Quotes About Scenes

I love thee, London! for thy many men, And for thy mighty deeds and scenes of glory.

After all, television is confined to a glass box. No matter how gruesome the scenes on the screen may be, no blood will spill on the carpet. No matter how close television seems to be bring the day's events, they always remain distant enough to be viewed with dispassion. The global village can be visited and abandoned at will.

I kept talking until the coup and its various acts and scenes dissolved into a liquid mass that infiltrated my veins—until the air

Although shooting action-packed movies is a physically hard job and I repeat movements over and over, those action scenes alone, regardless of rest of the story, gives visual pleasure to viewers. They also give some satisfaction to me as an actor.

Writers divide fairly cleanly into those who only work through what they hear and those who are more visual. I am the latter, where I lie down on my office floor and play scenes through my head to - cinematically, several times with different elements - to see what works. I can't write a scene until I can see it.

Some of our best writers are self taught. Screenwriting is a combo of craft and art. The craft part can be taught, about how to be visual and economical with scenes. However, finally it's the individuality of the writer that will come into play.

Directing action scenes is really just pure visual storytelling that just makes sense to me pretty intuitively.

It comes down to something really simple: Can I visualize myself playing those scenes? If that happens, then I know that I will probably end up doing it.

Usually when I'm making a movie, what I have in mind first, for the visuals, is how we can stage the scenes to bring them more to life in the most interesting way, and then how we can make a world for the story that the audience hasn't quite been in before.

The bikini scenes in 'Billa' were vital because they showed me as a seductress. I'd like to say here that outfits define a character and help an actor, say, 30 per cent, the rest depends on one's histrionic skills.

I think when you're just counting on your voice, you actually need double the energy. I find myself acting out the scenes and being very physical while I'm recording because I think you can tell when someone is just sitting on a stool.

I'm not a very sentimental person, so you're not going to find schmaltzy scenes in my movies.

Love scenes are extremely difficult. You're always within a millimeter of sentimentality and 'yuck.'

In a very real sense, all you do when you're shooting film or television is you shoot a scene, and then you shoot another scene, and then you shoot another scene.

Stage acting lets you feel the character a little better, but in the movies, you have to keep regenerating your energy level when shooting scenes over and over again.

Tagging with Cesaro, I've just had fun. I don't think about promos; I don't think about backstage scenes. I just go out there and be me.

It is remarkable how completely forgotten episodes, when touched with a word, open to the memory—at first vaguely, like the recollection of a dream, but then with increasing clarity and certitude, until at last all is again present, and one wonders how such scenes could have ever been forgotten.

I think hallucinations need to be discussed. There are all sorts of hallucinations, and then many sorts which are okay, like the ones I think which most of us have in bed at night before we fall asleep, when we can see all sorts of patterns or faces and scenes.

I think my advice to other actors would be to get in classes. Get out in front of people. Put up scenes in front of your peers.

When I was on 'The Golden Girls,' we'd have eight scenes per show. And when 'Seinfeld' came along, they went to, like, 30 scenes a show, which was revolutionary. 'Arrested Development' has probably got 60 scenes per show. It just keeps emerging as this more and more complex thing. I always try to keep it very simple at its heart.

I've done scenes in films that I felt like the performance was better in certain takes, but they couldn't use them because it didn't match what the person was doing when they came around and the camera was on them.

It is hard enough to share wealth without being involved in undignified scenes; shared poverty consists of nothing else.

For the first few years after such a law was passed there might occasionally be undignified scenes, but in Britain individual liberty is so often curtailed for the common good. Order would soon prevail.

Often times, while filming 'WAGS Atlanta' with 3 male producers, we were told to dress 'WAGGY' for scenes, not realizing that WAG style isn't universal! WAG style can encompass a myriad of different looks.