Quotes About Scenes

Murder scenes in particular got them going: sex and death, the old aphrodisiac combination.

Don't never participate in no bad scenes, he reminded himself; that was his motto in life.

But with what wonder has the season come? Its treasure lies in earthen ships, that carry dreams across the foam. And how your memory of Sarah rapes the fleshly heart that once bore scenes, now veiled in smoky stains of tears; it cries as on its crutches leans, and ever fills itself with fears. Be born anew to taste the sky Lay waste cocoon and upwind fly.

There is an animated version of 'Lazer Team,' with all the action sequences, that exists. It's a pre-visual fidelity, and the voice acting is terrible because it's one of our animators doing it. But we could sit there and watch what the scene is supposed to look like while we're doing individual shots.

My favorite video to film was 'Work It' because it began the incredible road ahead. Missy was protective and thoughtful of us kids, removing us from the mature scenes and using the clean version when we filmed.

In terms of graphic versus prose, I could probably do a lecture on that topic. But what stood out most was the difference in pacing the language and resulting scenes. One illustration can do so much for the reader.

Obviously, New York and Boston and Los Angeles have pretty vibrant entrepreneurial scenes.

I do all of my own stunts in videos. The Jet Ski scenes, the fight scenes, all of them!

'The Dance Scene' is just a real look at what it takes. You see the award shows. You see the videos and you never realize what goes on behind the scenes. The reality and the preparation. The motivation I have to give each dancer on that set.

I've had people ask me to come and work for them. I went to Vienna and did three scenes in a movie for a guy that I met at a retrospective of Cassavetes films. It's a great way to travel, to meet people, to see different countries and cultures.

It definitely takes a long time, because Umbrella Academy' scenes are very interesting from a writing point of view with all these very off-the-cuff, oddball characters who are all different from each other.

Life is not an opera. Scenes belong on the stage.

With the fight scenes, they would take a video camera and shoot alongside the camera so we would piece it together on the computer and had an extremely rough cut of what we were doing.

Revelation 12 presents Christmas from a cosmic perspective, adding a new set of images to the familiar scenes of manger and shepherds and the slaughter of the innocents.

If action scenes just happen decontextualized, they lose their weight and the viewer can feel they don't make sense and that they wouldn't have happened that way.

All writers, in all viewpoints, must choose which information and scenes will be presented, and in which order. In that sense, the author is always represented as a point of view in a work of fiction. His hand can always be detected by the discerning.

I think we've shot scenes from every angle directors can think of to make it look like different villages. I've directed a couple shows on that set and believe me, it's impossible not to duplicate some camera angles.

Especially today, Mollywood's action scenes comprise of many 'hero touches and the villain flies' scenes. I never promoted that, and only believed in realistic stunts, with just the right amount of cinematic feel seasoned on them.

Harlem exists in retrospect, in the memory of grandparents or elderly cousins, those 'old-timers' ever ready with their geysers of remembered scenes. The legends of 'Black Mecca' are preserved in the glossy musicals of Times Square and in texts of virtually every kind.

his [Angel's] body is displayed semi-naked at least as often in scenes of woundign or torture as in "bedroom" scenes (season 2 scenes with Drusilla conflate the two throuhg S/M)..."Angel spends a ludicrous amount of time in chains, shirtless.

A lot of the struggle I had with movies is I really loved moments and tones and feelings in a scene, and I loved creating those, but I never really had great stories to string them together.

I would think of it with affection because of its scenes of fragmentary beauty, because it brought men closer together through their perversity and fear, because it enabled us to pretend that death could be a tender experience, and because it breached the long silence.

A good movie has memorable scenes, and so does a good life.

At home in bed, in my private abyss of longing, the scenes I dreamed of always began like this.