Quotes About Scenes

If you notice in my own films the blending of songs is distinct. They narrate stories and scenes.

A lot of my writing and my detailing of scenes are based on my observations of life in Nagpur.

What happens so often as an actor is that you retain the information about the scenes that you yourself shot and you obsess over certain scenes that you found the most challenging or interesting. The rest of the film kind of falls away in your memory or it fades a little bit.

Because so many times what keeps us in that valley of depression, what keeps us in that valley of frustration, is our response to a moment and not recognizing that it is exactly that. It's a moment. It's one scene of your movie. And what makes a great movie are scenes that are put together of great conflict.

In the spring or warmer weather when the snow thaws in the woods the tracks of winter reappear on slender pedestals and the snow reveals in palimpsest old buried wanderings, struggles, scenes of death. Tales of winter brought to light again like time turned back upon itself.

IN THE SPRING OR WARMER weather when the snow thaws in the woods the tracks of winter reappear on slender pedestals and the snow reveals in palimpsest old buried wanderings, struggles, scenes of death. Tales of winter brought to light again like time turned back upon itself. Ballard

One purpose of these notebooks was to record interesting scenes, especially those involving people and emotions. "As you go about town," he wrote in one of them, "constantly observe, note, and consider the circumstances and behavior of men as they talk and quarrel, or laugh, or come to blows."1 For that purpose, he kept a small notebook hanging from his belt.

One purpose of these notebooks was to record interesting scenes, especially those involving people and emotions. "As you go about town," he wrote in one of them, "constantly observe, note, and consider the circumstances and behavior of men as they talk and quarrel, or laugh, or come to blows."1 For that purpose, he kept a small notebook hanging from his belt. According to the poet Giovanni Battista Giraldi, whose father knew Leonardo:

A tale of manners, to be interesting, must either refer to antiquity so great as to have become venerable, or it must bear a vivid reflection of those scenes which are passing daily before our eyes, and are interesting from their novelty.

All this reinforces the concept that Edward O. Wilson dubbed biophilia, which holds that humans are hardwired to find particular scenes of nature calming and restorative.

What I remember myself from films, and what I love about films, is specific scenes and characters.

People say life is a story, I differ. It is an enactment of constantly changing, continuously edited , and precisely coordinated scenes, I would say.

But see, that's the thing about movies. Nothing is left to the imagination. You read a book, and you see a picture of the characters and the scenes in your mind. You don't have that with a movie. It's all either up there on the screen laid out for you, or it isn't there at all.

Anne could not immediately fall into a quotation again. The sweet scenes of autumn were for a while put by - unless some tender sonnet, fraught with the apt analogy of the declining year, with declining happiness, and the images of youth and hope, and spring, all gone together, blessed her memory.

I'm very easily distracted unless I have music on. Listening to music while I brainstorm makes me think of scenes that would fit the mood of the music I'm playing.

The best deal about being a producer is that unlike a director who has to go on the sets even if he doesn't get along with the actor, the producer has the liberty to remain behind the scenes.

When on the set of a film, you have to play natural for entire scenes in a very unnatural environment. You have to express emotions and interact with other actors and also use your voice.

It's very unusual for scenes to be added for a character.

Doing love scenes is always awkward. I mean, it's just not a normal thing to go to work and lay in bed with your co-worker.

There are some scenes that work beautifully in a moving, sweeping master, which is how I like to work.

Exaggeration can lend action scenes more force, but I like to stick to more realistic figures: They help keep the cool in the action scenes, although they may be not as forceful as the exaggerated ones.

I only storyboard scenes that require special effects, where it is necessary to communicate through pictures.

I write scripts in storyboard fashion using stick figures, and thought balloons and word balloons and captions. Then I'll write descriptions of what scenes should look like and turn it over to the artist.

I only make storyboards for action scenes. Once you make a storyboard, you don't film; it can be a stiff move.