Quotes About Texture

The way Fatboy Slim layers motifs is the same as 18th-century baroque counterpoint. You have an idea, then you have an answer to the idea in another voice, then you have a counter idea accompanying the original idea, and you build up your texture like that. I'm really into Kruder and Dorfmeister at the moment, and they do the same thing.

A dish should have flavor, texture, appearance and smell, but I'm doing it differently. We take Chinese food, play with your sentiments, memories of it, and then take you to the border; you won't fall over the edge, but you get excitement.

Any good broadcast, not just an Olympic broadcast, should have texture to it. It should have information, should have some history, should have something that's offbeat, quirky, humorous, and where called for it, should have journalism, and judiciously it should also have commentary. That's my ideal.

Shrimp and grits is a dish that I enjoy from North Carolina. It's one of those dishes that is so rich in flavor and texture.

You must understand the texture of your hair before you choose a style.

Catfish has a nice firm texture and mild flavor.

I come at it from a different angle of attack with each novel, searching for the technological texture the story demands. There isn't a recipe; it's more of an instinct.

The secret to sheet pan dinners is having a sauce, condiment, or other raw-and-crunchy finisher that comes together outside of the oven, otherwise everything on the plate has the same, monotonous roasty-dry texture.

Composing is to think. It is to have your mind trying to find what is the best sound that the movie is going for: the best melody, the best texture, the best structure and dramaturgic arc for the film. Then you discuss that with the director. He's the leader. He's the one showing you the path to follow to find the soul of the film.

Small okra pods have a much more attractive texture than large ones, which, when cooked, can be gloopy, stringy and totally spoil a dish.

There's an ecstasy about doing something really good on film: the composition of a shot, the drama within the shot, the texture... It's palpable.

Laws are generally found to be nets of such a texture, as the little creep through, the great break through, and the middle-sized are alone entangled in it.

Once I learned that some hydrating oil or cream was good for my hair, I thought I should use a lot. So I poured practically a bottle on my head once and learned real fast that more isn't always better. I was so greasy, and it ruined my texture!

My fashion cues come from my work, not the ramps of the world. I just keep working with so much colour, texture and structure, it rubs off!

I have one custom guitar which I play almost exclusively. I have others - sometimes you want a little texture, kind of a different sound or something.

While I was shooting for 'NH10,' my hair had to look dirty in the film. To improve the texture... quality of hair, I had to use a lot of conditioner.

There's a certain way you stand to give yourself authority, which gives you the texture for the part. I chose that my character hadn't been married, he'd worked his way up the chain of command. For a small cameo role, I gave it a lot of thought.

I am oblique; I think that has to do with my own nature. I like trying to do things which work on many levels, because I think it is terribly important to give an audience a lot of things they might not get as well as those they will, so that finally the film does take on a texture and is not just simplistic communication.

Focus on the flavor and texture of your desserts. Don't go overboard with too many ingredients and flavors keep a good balance of flavors.

Everyone makes pesto in a food processor. But the texture is better with a mortar and pestle, and it's just as fast.

I practice wearapy: it is a psychology between colour and texture. Take your emotions - what is it that you want to accomplish for the rest of the day? Pick that feeling and channel it into a colour.

A good story, just like a good sentence, does more than one job at once. That's what literature is: a story that does more than tell a story, a story that manages to reflect in some way the multilayered texture of life itself.

The riot isn't seen in the movie, but it is alluded to. He has this one speech that gives a great sense of texture and paints a picture of what was happening in Harlem then.

I love the texture of my skin and I love my freckles and even if my nose gets a little red, I don't mind so much.