Quotes About Vogue

I realize that protest paintings are not exactly in vogue, but I've done many.

Many photographers feel their client is the subject. My client is a woman in Kansas who reads Vogue. I'm trying to intrigue, stimulate, feed her. My responsibility is to the reader. The severe portrait that is not the greatest joy in the world to the subject may be enormously interesting to the reader.

The band Grizzly Bear, I think they're excellent. There's a beauty and a musicality there that I wish would have been in vogue in the late '80s, when I was forming bands.

'Vogue' remains while its fashion editors come and go.

You can't put yourself into competition with a magazine like 'Vogue.' You have to create something new, something different.

I was successful very quickly. I was on the cover of 'Vogue' before I knew it.

I loved modeling. I absolutely loved it. I was so happy to get the cover of 'Vogue' - 23 times. I keep each copy. I made more money as a model than as an actress or as a filmmaker. In monetary terms, beauty pays more than anything.

There was a time when idealistic folksingers such as myself believed that Reality TV was a programming vogue that would peak and recede, leaving only its hardiest show-offs. Instead, it has metastasized like toxic mold, filling every nook and opening new crannies.

By the time I came to the States, I really understood how a magazine works. I came to 'Vogue' as creative director, and three years later I went back to London to be editor in chief of British 'Vogue.'

I am an urban vegan. I love the glossy pages of 'Vogue,' even though I won't purchase the leather shoes and bags I see there, and being reminded that the fur trade even exists breaks my heart.

My mom was my muse - she would buy me Italian 'Vogue.' I was this little fashion boy.

My mother was a beauty queen in her hey day. That's where I learnt a little about makeup and hair... I had never picked up or even seen a 'Vogue' before I was 17. I had no idea about fashion, magazines, models or designers. No idea.

I had this vague notion that one day I might be editor of 'Vogue China.' It was a bizarre ambition, as I didn't speak a word of Chinese. There were flaws in my plan, admittedly.

I made a big family when I was working at 'Vogue' for ten years, and I'm still friends with a lot of them.

'Vogue' is a very beautiful magazine, an institution, and I learned so much working there.

Occasionally, I will come across something that has lost its label over the years - maybe the client didn't want to declare the dress at customs and took the label out - but I'll recognize it from an image that I've seen in Vogue, or a little thumbnail sketch.

When I was 14, I entered British Vogue's annual talent contest and got a special mention. I went up to London to meet the editors and wrote about it in my high school magazine.

'The Leaves Are Fading' had something of a vogue when Antony Tudor made it in 1975, largely because of Gelsey Kirkland's ravishing performance.

I grew up in New York, and I've always been surrounded by fashion. My grandmother used to write for 'Vogue' in the '50s, and my mother was a dancer and a model.

My neighborhood now is all 21-year-old European supermodels. I go to the international newsstand on the corner, and they're all looking for their pictures in 'Italian Vogue.'

'Vogue' has the power to make and break - whether it's fashion trends, designers, models, and yes, even industry practices.

I don't look at 'Vogue' to ask what I'm going to wear. Because it's something on a body too young. I have to look at the social pages to see women my age. To see how Amanda Burden is dressed and say, 'Hmmm. Maybe I should try that.'

The idea was to study fertilization in as many different phyla and organisms as possible, using the simplest possible equipment and a microscope. Biochemical approaches were not much in vogue, and running gels impossible at first.

I first thought about doing a project about Anna Wintour and 'Vogue' when I read an article in 'New York Magazine' about the Metropolitan Museum Costume Institute Ball, the annual fundraising gala that Anna oversees. It created such a fascinating portrait that I couldn't help but be compelled.