Quotes About Vogue

In the fact that 'Vogue' is someone that can help guide enormous audiences through this fascinating world, I would like to think we are as influential and actually are now reaching so many more people than we ever dreamt of back in the Fifties or the Sixties.

I grew up reading 'British Vogue' - I am so honoured and humbled to be taking up the mantle of editor.

One of my favorite poses was when working with Steven Meisel. It was one of my first photo shoots with him, and we were trying to get the cover of Italian 'Vogue.' Then, I literally took my Balenciaga hat, pulled it down, and gave a rolling-eye, 'ugh' face, crossed legs on the floor. And lo and behold, that was the cover of Italian 'Vogue.'

We live in a time where it's very much in vogue, constant search for pure utopian equality, and which, on one level, is quite amusingly silly but also on another probably very important.

Part of the pleasure of editing 'Vogue,' one that lies in a long tradition of this magazine, is being able to feature those who define the culture at any given moment, who stir things up, whose presence in the world shapes the way it looks and influences the way we see it.

I like having young assistants in my office; they have energy, and I spend time with them to make sure they understand what we're doing. By investing in them, I'm investing in the magazine. All over 'Vogue,' 'Teen Vogue,' and 'Men's Vogue,' there are people who have been through not only my office but also many other offices at 'Vogue.'

When I started in 1992, I really thought the 'Vogue' fashion department was one of the most frightening places on the planet.

I think there's much more fashion competition in the more junior levels of the fashion department. And that's exciting and stimulating to see, because it's 'Vogue;' it's great to see people dressed originally and with great style and panache. It wouldn't be 'Vogue' otherwise.

I was such a nerd, a complete geek, but then I was lucky enough to have a fancy career, where I can be like 'See, I'm not a nerd. Look, I'm in 'Vogue.'

Being acknowledged by 'Vogue' and invited to do 'Today I'm Wearing' was a really great moment for me, and the photo diary of my outfits was a really fun thing to do.

The thing is that any sophistication I have, aesthetically, comes from 'Vogue' and 'Harper's Bazaar.' In the '60s, I never missed an issue, even if I had to steal to get them.

I had never seen 'Vogue.' I didn't read fashion magazines, I read 'Time' and 'Newsweek.'

My mum was very glamorous, an incredible seamstress. She made up those Vogue, Givenchy and Yves St. Laurent patterns they used to sell. It was church couture, darling! Because my dad was a pastor, she could get away with more than other women. Her skirts were that bit tighter.

At 'Vogue,' I was responsible for a lot of production work, and production work is highly detailed, and you have to be very resourceful to fit a square peg into a round hole. I learned to push the envelope when it comes to asking questions or making requests.

I think we're living, in terms of media, in a very democratic age, but I think that we still look at everything through the lens of 'Vogue' and through our own point of view.

I'm really excited to see my vision for the 'British Vogue' team come to fruition.

I'm always inspired by anything in 'Vogue,' anything that's been in 'Vogue.'

My very first runway show, I was in 'Vogue.'

If I'm in London I might meet with the fashion brands I work with or be at Vogue, where I'm a contributor.

I have never kissed a woman, but Madonna in all her glory with coney bras and burgundy black 'Vogue' lips makes me rethink my heterosexuality.

In 1990, when they asked me to shoot a cover for 'British Vogue' to convey my personal vision of a woman, I explained that I couldn't just photograph one single girl, because what I was looking for was a new purpose, and new feminine determination.

I agree cars become classic with age and you never know which ones are going to be in vogue.

I just think Vogue is the most exceptional mother - and I'm not just saying that because she can hear me.

I knew Anna Wintour was the editor in chief of Vogue,' I just didn't understand what it meant to wait around to meet with Anna Wintour.