Quotes About Cameras

I'm going to miss my best friends - my cameras.

I have a Bolex, Aaton, Arriflex, Eyemo, Filmo, Mitchell, Photosonic, Beaulieu, Keystone - just about every movie camera you can think of.

I mean, if a camera's on you all the time, you don't get real moments.

The reason why those female celebrities are always in filthy moods is not because they're being hounded by men with massive cameras or because Ridley Scott cancelled their film. They just want to get their hands on a cheeseburger.

I feel very, very grateful. I'm a lucky guy, you need a lot of luck, and then when the cameras roll, you have to have this group of writers, directors, and actors that just gel, and it seems to literally be happening more and more.

When you are shooting traditional motion capture, it's a big footprint on set. There are, like, 16 cameras that are needed and constraints over the lighting.

Cognifying photography has revolutionized it because intelligence enables cameras to slip into anything (in a sunglass frame, in a color on clothes, in a pen) and do more, including calculate 3-D, HD, and many other options that earlier would have taken $100,000 and a van full of equipment to do. Now cognified photography is something almost any device can do as a side job.

Miss Rice loaned me the negatives, and I ordered these prints from the drugstore in town. No comparison to Josh's work. He was gifted in a dying art form. I don't think he would've cared for the age of digital cameras.

And it's great to have all these readers and fans who, for the most part, are very nice people, saying they love the books and the TV show. But there are so many of them and it just doesn't end. Oh, and 'selfies'! If I could clap my hands and burn out every camera phone in the world, I swear I'd do it!

I would say the broadcaster holds the shotgun in his hand when he's communicating, mainly because he is a part of the audience more than he is a communicator. That is his first strength. Next, he has the force — the power of the wires strung over the whole world. Then, he has the tools of persuasion. His cameras and microphones are mightier than the pen. He can bend the straw, and all he needs to do it is Truth. With truth, force, and persuasion he can save this country.

I think there are two different types of people in television. There are people who can turn it on like a switch when the cameras go on, and then, when the cameras go off, they kind of lower it down a little bit. And then there are people who are on all the time, no matter if the cameras are there or not.

A lot of the stuff in 'Speed Racer' has never been done before, from it having a multi-tone, to it having a retro-cool family movie, to having the photo-realism with the CG-backgrounds and infinite focus the way they worked with these digital cameras, to even the color experimentation.

Most of the time you spend filming a show is time you spend without the cameras on, when you're not acting.

If you want to get known as a singer you hire five sexy chicks and let them fight over you onstage and for the cameras. That's publicity, man.

But the television news cameras couldn't get anywhere near the action, so the coverage mostly consisted of journalists interviewing each other about how little they knew.

What you might not have come across is the fact that Hubble is basically a photoreconnaissance satellite whose cameras point upward at the heavens rather than downward at Earth.

I'm a really uncomfortable person, so the whole Hollywood lifestyle - attention on me, the cameras, people telling me how to live my life, talking about me in a public way - none of that is appealing to me. Acting is amazing. But everything that comes with it is such a turnoff.

The Court's objection to cameras may be much more a product of history and process than an unwillingness to be placed in the public spotlight.

I think a lot of people like hidden-camera shows where they think they're spying on somebody who doesn't know they're looking at them. And nobody takes it seriously - you either enjoy it and get a laugh out of the reactions or not.

When I'm on set, I'm always waiting around for people to move the cameras so I can try to squeeze in press-ups and sit-ups between scenes.

Stage is much more intimidating than going before the cameras, because you can really screw up, and can't do a retake.

When you stand up there and do a press conference, it's a very preoccupied moment. You're standing in front of cameras; people are watching you; it's not so easy to be at ease.

Because he was filming a movie and not shooting a documentary, John had a more complex setup than usual, utilizing three thirty-five-millimeter cameras. Each one would film in staggered succession, so that the film magazine changes would never happen all at once. There would never be a time when film was not rolling. We couldn't very well ask a crocodile to wait while a fresh mag was loaded into a camera.

I definitely feel much more comfortable in front of the cameras after 'The Hills.' Before, it was much more nerve-racking.