Quotes About Entertainment

I had people in 'Entertainment Weekly' talking about how they wanted to throttle me because they thought I was too disgustingly cute, as if that were my fault, you know, as if that was my fault, not the fault of directors and producers and such.

I don't gamble anymore since I had a kid. I have fun in Vegas. I see shows, Cirque du Soleil. Don Rickles was in town last time I was there. I'll have lunch with George Wallace. I just look in the Weekly calendar and see who's performing, and inevitably, we all meet up late night at one of the casinos. Jesus, I sound boring.

I spend way too much time watching television, going to sports games, going to movies. It struck me that there's an awful lot of data in the public domain for these sectors. The movie industry publishes weekly sales numbers - not many industries do.

I wanted to work in Hollywood. I was captivated by it. I read 'Premiere Magazine' and 'Movieline Magazine' and 'Us' before it was a weekly magazine.

One of the tricky things about running a TV show is that you just never know how good the guest stars you cast on a weekly basis, how good they're going to be in the episode. Sometimes they surprise you in good ways and sometimes they surprise you in disappointing ways.

I did a couple of sketch shows with Mike Palin and Terry Jones... and then I got hired by Granada to do a weekly topical show.

When I was in high school, I was writing a lot. I dealt with my high school angst by writing short plays and short films. I was obsessed with reading 'Entertainment Weekly' and 'Premiere' and 'Movieline' and all those magazines.

I worked at 'Mademoiselle,' and then it shut, and I worked at 'GQ' for three years, during which I was freelancing. I wrote for 'Vibe.' I did music reviews. I wrote for 'Time Out.' I was desperate to get into 'Entertainment Weekly' or 'New York Magazine.' Like, desperate.

CBS garners a predominately older white audience, and by having a show like 'Superior Donuts' on their weekly programming, it distorts what people are used to seeing in a positive way. It's a show I think was necessary.

I hate when people talk about weekly wrestling shows that are lesser than pay-per-views. The fact is pay-per-views are longer, but the wrestling will be just as intense and exciting.

I don't really buy a weekly magazine but do flick through them if they're in front of me. A bit of style and a dose of gossip is just what you need sometimes.

After my grandmother finished watching 'Lawrence Welk,' my dad would race to the TV and put on the weekly hockey game. He loved watching Henri Richard, Gordie Howe and Terry Sawchuk. My dad's seven brothers and sisters weren't particularly thrilled with his viewing choices.

When I was little, I used to get a comic - 'Cheeky Weekly' - which was a weekly comic whose main character was Cheeky. I used to get 'Roy of the Rovers,' too.

TV, that's the ultimate goal. I hope to bring what I am doing now to a weekly television format.

As far as television is concerned, I'm just not interested in working on a series. Why should I settle for being someone's second banana? And that weekly grind is unrewarding and too demanding.

I loved it, it's such fun. I like that people are seeing it and then talking about it. Like when I took my son and his friends to see Napoleon Dynamite last year, we spent the next six weeks trying to explain it.

Somebody said something funny to me the other day. They said, 'Wolper, until two weeks ago, your tombstone was going to say, 'David Wolper, the man who produced 'Roots.' I think the tombstone now has a new inscription. It's going to be 'David Wolper, the man who produced the opening ceremony of the 1984 Olympics.'

When the show's in production, we work for three weeks at a time and then take a week off.

The best time to release a film is on a festive date like Divali or Eid, or at a time when there are no big films three to four weeks before or after.

Though I've been in horror movies, I just can't watch them. The first time I watched a 'Harry Potter' movie, I had nightmares for, like, two weeks.

I don't want to admit it, but I do enjoy the feedback from the audience. It's instant feedback. It's like, you could do a movie, shoot it for a year, wait six months, it comes out and you gotta do three weeks of marketing. Three weeks of that, and everyone goes, 'It sucks.'

By 1976, I was, like, Gonesville. I practically lived at the Troubador for several years. When Bette Midler was there for six weeks, I went every day for both shows. I sat there mesmerized. The only person who went as much as I did was Cher.

I've often reflected on this in the past weeks as I've been following the presidential campaign: Very often, I thought it would have been great for both of these guys to sit down and be force-fed a couple of dozen episodes of Star Trek.

So many people are working in vaudeville today that I looked for three weeks to book enough acts for an hour bill and didn't have them until the night before we opened in Buffalo and money was no object!