Quotes About Entertainment

God bless Skrillex. I love the kid, but he puts out a new video, what, every four weeks? I'm like the Dos Equis guy. I don't normally do music videos, but when I do, I go big.

I'd seen the movie 'Paranormal Activity' and was convinced for weeks that it was real.

I tour all year, 42 weeks a year, so it's hard for me to remember every place I play.

For me, the first thing I fell madly in love with when I was little, was, Gilda Radner had this live performance that she had done at the Met that was on tape, and I could rent it from Video Video in New Jersey where I lived, and so I literally would rent it every two weeks.

Earlier we used to enjoy films for 25 weeks, Silver jubilee, and Golden jubilee; but now it takes only 3 days to recover the cost.

'Law & Order' is a six-month shoot. Everything has to be crammed in. I had so much fun, but it wasn't a holiday. We had seriously long days, and we'd finish at 8 P.M. and start again at 7 A.M. We were doing six-day weeks, which sometimes tripped onto the seventh. But I loved it all.

I put the storyboard down and came back to it like two weeks later and saw that I had written 'Butt-Head' next to the picture, and it kind of made me laugh and I thought, Well, might as well go for every laugh you can get.

I was signed to MGM. I was in Vegas for sixteen weeks at the Sands Hotel.

Playing in front of an audience was just such a turn-on for me, and you have 200 people in the audience and it's like doing live theater. And filming something that goes to millions of people several weeks later, it's an interesting dynamic.

Pizza Express has been a real godsend for me. I've been working there for several years, six weeks a year. You can go to work every night and play. It's a nice little club. It's just about the right size for me, about 150 people.

I honestly think I could sit down and write a show tonight that the critics would love, and I know it would be canceled within four weeks. I know what the critics love. We write and produce for people, not for critics.

Ethel Merman would stay with a show for years and tour with it. So would Mary Martin, the great stars. They recognized the value of that success and nurtured it. Now, you come from Hollywood, you play 12 weeks and go away. I don't think that's the best policy.

Occasionally, I have time to go to the theater, and I think for a minute, 'Man, I'd really love to be doing a play right now.' Because I loved doing plays when I was doing them. Then I think, 'I want to do it right now, but will I want to do that Sunday matinee in six weeks?'

When a movie opened - if you lived in New York, you would see it at Radio City Music Hall where it would play a couple of weeks, and then you moved on to the next movie. Now you can see it the rest of your life - it's going to be on Netflix and DVD.

I think people overplay the 'Saturday Night Live' schedule. I mean, yeah, it can be some late hours. But the late hours are usually only one or two nights out of the week. You might have a crazy six-day week, but you'll work three weeks, and then you get a week off work. I'd take most jobs if it was hard work and then I got a week off.

On TV, you never know where it's going. They may even lie to you about where it's going. You never really know because the scripts come in every couple of weeks or so.

From 1987 to 1992, I was on the road for 40 weeks a year playing comedy clubs, and that was during the 'comedy boom.'

I just finished an episode of a new show called 'Century City.' It's like 'Law & Order' set in the future, and I have a very dramatic role in that. I have to sob and weep and wail. It was very hard. When it was done, I was like, 'OK, time to watch 'SpongeBob!'

My definition for 'playback' is being able to create a musical moment for people to have smiles and weep for joy.

What I learned, a little too late, was that the 'traditional' Martin Short target viewer weighs under 300 pounds. Unfortunately, I was on during daytime.

I thought it would be funny to go to my Korean dry cleaner and ask her about my head shot, as if it's the most important thing in the world, and as if it's something that everyone should weigh on because it's important to me.

I went to the final of the Champions League, and I scored 32 goals. This pressure does not weigh too much. I'm on the field to have fun and give pleasure to the fans.

I think there's something really thrilling to having to get people laughing about something, and then, when you have them in that comfort space, you can drop the weight into the texture of the story.

I just listen to true-crime podcasts, do some weights and pretend I know what I'm doing.