Quotes About Anxiety

Here was a man who was trapped in a thicket of fear and confusion, powerless to escape. Dante's verse captured the feeling of my own depression and anxiety precisely. Wild animals blocked the man's path at every turn. Suddenly the shade of a great poet of antiquity, Virgil, appears before the man and promises to show him the hard road to a good place—but first the man has to trust him.

Like everybody in show business, you think you're going to wake up one day, and it's all going to be taken away from you. I think we all share an insecurity in that way, everybody in show business - the ones I talk to, anyway.

All people suffer from the dread of death, but we are mostly troubled by the uncertainties of time and circumstance.

I tell ya, I know I'm ugly. My proctologist stuck his finger in my mouth.

No one showed any signs of recognizing me. I didn't know what I'd do if they did, other than lie like a devil and pray like a saint.

Using clay, recreate the hole in which you can throw your trouble and anxiety. Throw them in and press more clay on the top. Then squash the ball of clay, destroying those negative feelings. Objectives This nautical visualisation is about life and all its difficulties. The client is taken through hazards at sea

Resist fear," Jesus said. "Fear is always in the future. Cut through it. Resist it.

it was like being in the start of an earthquake. Before that, whatever else happened, however bad things had been, you were at least sure the ground would stay still.

Lying in bed with his eyes open, he searched the shadows around him, trying to find some steadying, reassuring objects. But the reality was at least as threatening as the nightmares. Having swallowed up all of the familiar shapes of the furniture, the darkness took on the aspect of some unearthly challenge: within this nothingness something monstrous and unknown was surely being spawned. The room had become a kind of breeding ground for monsters.

One of the few blessings of living in an age of anxiety is that we are forced to become aware of ourselves.

Dogmatism of all kinds--scientific, economic, moral, as well as political--are threatened by the creative freedom of the artist. This is necessarily and inevitably so. We cannot escape our anxiety over the fact that the artists together with creative persons of all sorts, are the possible destroyer of our nicely ordered systems. (p. 76)

Loneliness is such an omnipotent and painful threat to many persons that they have little conception of the positive values of solitude, and even at times are very frightened at the prospect of being alone. Many people suffer from "the fear of finding oneself alone," remarks André Gide, "and so they don't find themselves at all.

Self-inflation and conceit are generally the external signs of inner emptiness and self-doubt; a show of pride is one of the most common covers for anxiety.

They showed considerable anxiety because they were in the process of loving beauty.

Now, I believe in life, and I believe in the joy of human existence, but these things cannot be experienced except as we also face the despair, also face the anxiety that every human being has to face if he lives with any creativity at all.

Anxiety, the other characteristic of modern man, is even more basic than emptiness and loneliness. For being "hollow" and lonely would not bother us except that it makes us prey to that peculiar psychological pain and turmoil called anxiety.

Tremendous pride was exhibited in fascism, as everyone knows who has seen the pictures of the strutting Mussolini and psychopathic Hitler; but fascism is a development in people who are empty, anxious and despairing, and therefore seize on megalomaniac promises.

When people feel threatened and anxious they become more rigid, and when in doubt they tend to become dogmatic; and then they lose their own vitality. They use the remnants of traditional values to build a protective encasement and then shrink behind it; or they make an outright panicky retreat into the past. But

But in neurotic anxiety, two conditions are necessary: (1) the threat must be to a vital value; and (2) the threat must be present in juxtaposition with another threat so that the individual cannot avoid one threat without being confronted by another. In patterns of neurotic anxiety, the values held essential to the individual's existence as a personality are in contradiction with each other.

A fear is a reaction to a specific danger, to which the individual can make a specific adjustment. But what characterizes anxiety is the feeling of diffuseness and uncertainty and the experience of helplessness toward the threat.

It is very difficult to appreciate from the outside what a person in severe anxiety is experiencing. Brown rightly remarked about his friends 'imploring a drowning man [me] to swim when they don't know that under the water his hands and feet are tied.

if the person did not have anxiety, he or she would also not have freedom. Anxiety demonstrates that values, no matter how beclouded, do exist in the person. Without values there would be only barren despair.

The line between 'normal' and 'neurotic' begins to appear when any activity becomes compulsive - that is, when the person feels pushed to perform the act because it habitually allays his anxiety rather than because of any intrinsic wish to perform the act.

In the problem of anxiety we must, therefore, always ask the question of what vital value is being threatened