Quotes About Paris

Performing, not rehearsing, is a dancer's raison d'etre, and I've been lucky to 'etre' in some extraordinary places - Cuba, Paris, Mongolia. In particular, a two-week stint in Greece leaps to mind. We danced in the Acropolis's Herodes Atticus amphitheater, once a venue for gladiator spectacles.

In Avenue Foch, however, in the Rue des Saussaies, we would hear from neighboring buildings, all day long and late into the night, cries of suffering and terror. There was nobody in Paris who did not have a relative or friend arrested or deported or shot. It appeared that there were hidden holes in the city and that it emptied itself through these holes as if from an internal and incurable hemorrhage.

For my part, my interest in Paris had faded away completely long ago when I learned that it was in France.

And so, Paris. Dexter trudges meekly along in the wake of the Good Ship Rita, staring and nodding where these things are required and occasionally offering a sharp and witty comment, like, "Wow," and "Uh-huh," as Rita trammels through the pent-up lust for Paris that has surged in her all these many years and now, at last, has found consummation.

He does, however, make one small attempt to stay interested. During the Hop-on-Hop-off Bus Tour of Paris, as the taped program drones out the names of the different fascinating locations with massive historical significance in eight languages, a thought comes unasked for into Dexter's slowly suffocating brain.

Planning is for the world's great cities, for Paris, London, and Rome, for cities dedicated, at some level, to culture. Detroit, on the other hand, was an American city and therefore dedicated to money, and so design had given way to expediency.

Paris was a museum displaying exactly itself.

The window gave onto a view of dove-gray roofs and balconies, each one containing the same cracked flowerpot and sleeping feline. It was as if the entire city of Paris had agreed to abide by a single understated taste. Each neighbor was doing his or her own to keep up standards, which was difficult because the French ideal wasn't clearly delineated like the neatness and greenness of American lawns, but more of a picturesque disrepair. It took courage to let things fall apart so beautifully.

He tried to imagine what it had been like to be Hemingway, in Paris, in the 1920s. To write those clear, seemingly unadorned, yet complex sentences that would change forever the way Americans wrote prose. To do all that and then go out to dinner where you knew how to order the perfect seasonal wine to go with your huîtres. To be an American in Paris back when it was O.K. to be American.

Paris is Rory without Lorelai's influence to draw her out of her books and into the wider world.

The thing about Paris, it's a great city for wandering around and buying shoes and nursing a cafe au lait for hours on end and pretending you're Baudelaire. But it's not a city where you can work.

Nothing changes and very little happens in Paris. This is a great place to work without distraction - and then I run away to New York, where I have a life!

I didn't really understand fashion until I started going to Paris and seeing the ateliers and how hard these people work. It's art.

There's a place in Paris where I'd like to work one day. It's called the Slow Club.

I've always loved films, always. I studied literature and I went to Columbia in New York and I went to Paris for part of one year and ended up staying there.

When I was in college at the University of Pennsylvania, where I studied international relations and French, I studied abroad in Paris for a semester. I think when you're there, you can't help but be immersed in fashion because it's such a part of the city.

Having studied at the Sorbonne, I spent my 21st birthday in Paris and celebrated with one of my professors in a cafe outside of Notre Dame.

I did a degree in media and culture studies in London and moved there when I was eighteen from Paris.

I bought a Dutch barge and turned it into a recording studio. My plan was to go to Paris and record rolling down the Seine.

It took me some years to clear my head of what Paris wanted me to admire about it, and to notice what I preferred instead. Not power-ridden monuments, but individual buildings which tell a quieter story: the artist's studio, or the Belle Epoque house built by a forgotten financier for a just-remembered courtesan.

I signed with Columbia for two reasons. One reason I saw two of Frank Capra s pictures in Paris, and I want to work with him. Then at Columbia, in Harry Cohn, there is only one judge to please. I could not face the juries of fourteen that I have heard about at so many large studios.

I live in Paris, a city where you have a lot of stylish women, so I learned a lot by observing the women in the street. But my mother was always a big influence as well; she is always very feminine in high heels and perfectly cut dresses, with perfect makeup but never too much.

I was born in a suburb of Paris, and I grew up there until I was 16, so there were always a lot of barbecues, a garden, friends.

I filmed 'Water Lilies' in Cergy-Pointoise, a middle-class suburb about 20 km outside Paris. It's where I grew up and where Eric Rohmer filmed 'My Girlfriend's Boyfriend' in 1986.