Quotes About Music

I was 11 and living in Kosovo. I knew I wanted to perform but didn't feel like I could do it there. So I moved back to London on my own at 15, carried on going to school, and started posting cover songs online. I had no idea how I was going to become a performer, but I felt like I had so many more opportunities being in London.

I have gotten more than I asked for. All that I ever wanted was to hear my voice on record and have a song among the Top 20.

Everyone around me does music, so I just kind of knew. It wasn't some magical moment. There were loads of other things I wanted to do. I wanted to be a lawyer, for example, because I just love arguing, but it wasn't on the cards.

If you'd asked me when I was six, 16, and 26, I wanted nothing more than to be a big, recognized rock star. Especially when I was six and 16, because I thought that if I was a known guitar player in a known band, only cute girls would talk to me.

I wanted to be a blues guitar player. And a singer. And a songwriter. Not a shock jock.

You could be Top 5 on iTunes, but for people to buy an album, they've got to have a connection with an artist. Every time I bought someone's album, it was about the connection. I was loving everything, from their raps to their style. I wanted to meet them.

I, of course, wanted to play real jazz. When we played pop tunes, and naturally we had to, I wanted those pops to kick! Not loud and fast, understand, but smoothly and with a definite punch.

I grew up a competitive swimmer. I wanted to go the Olympics. Both my parents were professional swimmers. I competed internationally quite often, right up until I moved to California to pursue music.

The golden age was when people were starting to understand what hip-hop was and how to use it. I was lucky to come up then. Everybody wanted to be original and have substance; it was somewhat conscious... There was an integrity that people respected.

We wanted to take as much time and effort making the video as we did the song.

'Hear My Heart' was constructed with the deaf in mind. I wanted a bass line that felt like a heartbeat. I wanted to be able to touch the speakers and feel a clear sense of rhythm.

I never desperately wanted to be a jazz drummer. If anything, I was motivated a lot by fear. Fear of the conductor, fear of the future.

I wanted a name I could shape the music towards. I was going to Miami quite a lot at the time, speaking a lot of Spanish with my friends from Cuba - 'Lana Del Rey' reminded us of the glamour of the seaside. It sounded gorgeous coming off the tip of the tongue.

I wanted to play rocking country music, and when I started out in the late Seventies, it took me a couple of albums to figure out how to do that.

My parents wanted me to be a lawyer. But I don't think I would have been very happy. I'd be in front of the jury singing.

I wanted to be Gerry Mulligan, only, see, I didn't have any kind of technique. So I thought, well, baritone sax is kind of easier; I can manage that - except I couldn't afford a baritone, so I bought an alto, which was the same fingering.

I usually know the general emotion of a song, or the general feeling of it, and then I think I just get so excited by the act of recording. I love that process so much that I feel like if I knew exactly what I wanted I'd arrive at something too soon.

I think I wanted to sing, but I just couldn't because I was so shy. I didn't really know how to begin that other than like, singing in my room, locking the door, and trying to sing kind of quietly. I knew my mom would want to listen and she would probably bug me about it.

When I was a kid, I went through a lot of musical phases, and one was when I'd learn everything that The Beatles ever recorded. After I started drums, I fell in love with their music so much that I just wanted to learn everything.

They wanted to start recording rock 'n roll, and thought I had the right voice.

I think drum'n'bass music did for the electronic world what graffiti did for the world of art because it was raw and everybody wanted to take from the raw.

I see friends who are in different genres of music, and they say they're so burnt playing the same stuff every night. That's why you see a country act wanting to go out and play an old classic rock song. But what cracks me up is that they all want to be Jimmy Buffett. I can't figure that out.

When I was younger, I had conversations with friends about wanting to create something different. Every young musician probably thinks that. But it's difficult to do, because there are only so many words, notes, melodies, songs. But as soon as I stopped thinking and started feeling, it worked. I didn't realize it till I was done.

'Footloose' is a fun movie. If you do it right, people should leave wanting to dance.