Quotes About Music

I was very laced with drugs myself, but Fred seemed to be even more so than me. That might have had something to do with it. That might have had something to do with nobody wanting to play my records, too, I don't know.

I never heard anything so brilliant in my life as I did that first time I heard Ornette. He played like some revolutionary angel. Soon, we were rehearsing in his place, music scattered everywhere, and he was telling me to play outside the chord changes, which was exactly what I had been wanting to do. Now I had permission.

What keeps me going or keeps me wanting to do more music is just knowing that I can provide for my family.

I started listening to The-Dream a lot. That's when I really got into writing songs. I like the way he put lyrics and makes his songs. So I was like, 'All right,' and I just started writing. That's when I started wanting to be a songwriter.

Once I accepted music was my path, I rebelled by wanting to do it my own way. I also didn't think it was respectful to my father's career and creativity to assume that I could jump on the back of all he had worked his entire life for.

It's all about the music, and I work as hard as I do strictly because of the music. It's not a money thing; it's not a career thing. It's simply to do with me being a music fan with a broad taste, wanting to do different styles and wanting to work with lots of different people.

When I was a kid, I played basketball religiously. I begged my mom to get me voice lessons because I wanted to learn to sing the right way, but at the same time, I was playing Junior Olympic basketball, and I was playing point guard for my school. But I was wanting to get into entertainment, into music and film and television.

I was five years old, onstage singing 'Twinkle, Twinkle, Little Star' - a rock version - and I was always wanting to entertain. But the biggest thing for me is just country music has helped me get through the worst times of my life and the best times of my life. I want to give that back to people.

I'm a '90s kid, so I went into the entire album process wanting to incorporate little touches of that sound from hip-hop and R&B. Just enough to where you hear it subtly and then go, 'This kind of reminds me of that time.'

I remember seeing McCoy Tyner in concert, and thinking that the music was incredible, but wanting to be invited in. I figured that humor was the way of letting the audience in. I've gotten a hard time about it, but I love to be funny onstage.

I was just tapped on the shoulder from above and told to write these songs, as opposed to wanting to be a success in the music business.

I feel like when it comes to rap - like, real rap music - and knowing the pioneers of rap, I feel like there's no competition for me in the NBA. Other guys can rap, but they're not as invested or as deep into actual music as I am and always have been. I think that might be what the difference is. I'm more wanting to be an artist.

'Sweet Summer Day' was inspired by wanting to write the perfect summer song! Both Chaeyoung and myself had ideas for lyrics, and the song formed naturally!

Josh is the guy in the band who's just so friendly and super, wanting to walk up to you and say, 'Hey, I'm Josh. I drum in this band, and I'm a big fan of you, and I really appreciate what you do.' Josh has all these great friends in the industry now.

I actually grew up wanting to be a filmmaker. I wanted to make movies, and music was a detour, almost.

My mother and father are big musical heroes of mine. I think it was because it was the first memories that I have of actually hearing music and falling in love with it and wanting to be a part of it in some way.

Nothing feels better than going onstage and everybody is singing every word - and actually wanting to see you.

I think it's like music for the sake of music, and a lot of the words stem from liking music a lot, wanting to be a good band and having a good sense of humour, and living in a situation where we're free to pretty much do what we want.

Even Catholic parishes today are not wanting for talent. But no serious singer or organist will get anywhere near the typical music program, at least if he wants to retain his self-respect.

But I was in the Radiohead studio today and Phil was there drumming and Thom was there playing. We feel like we've only just stopped and already people are wanting us to carry on.

I think a lot of it had to do with, you know, I was always a daddy's girl. I was always wanting to please him, and I think he was pleased when he'd walk past my room and I was listening to those records.

The pop world is cool, but I never really thought of myself as part of it or wanting to be a part of it because I'm on a label that's not really like that. They're not trying to dress me up, they're not trying to do things like that. I feel like I'm sort of separate from that, actually.

I think that I always thought that if my uncle was on Broadway, then I must inherently have a good voice. I don't think that for a while I did. Eventually, out of sheer will of never wanting to get a job or go to college, I found my way into doing music full-time.

I think I can see people wanting to hear more music-music now as opposed to all hip-hop. You know, which I have nothing against hip-hop. I think some of it is really good. But on the other hand, some of the real great artists are just being lost because they're not getting the airplay or anything to make them inspired to record again.