Quotes About Music

With Fleetwood Mac, it's an amazing chemistry that we have on stage.

You could say that Fleetwood Mac is a bit of a dysfunctional family, but we are a family.

I was born in 1974, so I grew up listening to what was on the radio - my mom's car sounded like Fleetwood Mac, because that was what was on the radio.

The old Fleetwood Mac was much better; they did some beautiful and, to my mind, very authentic blues. Chicken Shack did pretty well in Europe, but after I left, it was over.

Fleetwood Mac always take a long time to make a record - you know what.

When Migos flew me out to see if I was actually making the beats, they didn't expect a white kid from Canada to be making harder beats than the guys in Atlanta. Being white in that environment, it was definitely different.

The people that only listen to one song from a record and flip around that much, if that's the only way they listen to music, they're probably the kind of people that like music as something to drive to, you know?

I'll flip samples where one's a completely dark song and the next one is a complete sexual song. People think my whole thing is a dark thing, but I don't.

We love music, and when it's good we flip. And we want to get to the core of why it's good.

I can't flip a burger, I can't do anything. All I know how to do is sing. I've been blessed to be able to make a living doing what I love.

I like flipping Coldplay. And I like Jessie Ware. But I'm sure how we grew up was totally different.

If you listen to my music, that's everything I stand for: women being free about their sexuality, flipping the industry's gender roles and society's gender roles and just being as confident as you can be with yourself, your sexuality.

I became a human jukebox, learning all these songs I'd always known, discovering the basics of what I do. The cathartic part was in the essential act of singing. When is it that the voice becomes an elixir? It's during flirting, courtship, sex. Music's all that.

'Float On' was a fine song, but I was still writing the lyrics on the last day we were working on it and deciding if it was something we wanted to put on the record.

I travel on my own and try to - I float along to music.

A lot of the records you buy, there's nothing you can hold in your hand, it's all 1's and 0's, this digital cloud floating in the ether. but with analog albums, you can hold it in your hand.

It's a big plethora of music floating around in my head all the time, and I'll sit there and write a song.

Maybe Carnatic music will become more digital, because it is an audio form. But even then, why do people flock to the December season in Madras? Because they want to see the artiste face-to-face.

I loved 'Rock Lobster.' I probably heard 'Rock Lobster' first at a party or dance. Then we would do the Rock Lobster - get down on the floor and do the whole dance. I thought that was really cool and exciting, that there was actually a band that had their own dance at that point.

Chubby Checker changed the dance floor.

In our house, everybody is always dancing around and singing. We have a dance floor outside at our house, a big, huge dance floor that we all dance on.

I have a couple of things I do to clear my head when I need it. The first is exercise, the kind of exercise that makes me lie on the floor afterward gasping for breath and wonder if I'm actually going to be able to breathe enough to not die. The other one is playing music.

You can feel the drums, and you can feel the bass. So, being able to feel the music through the floor, it makes me feel like I'm a part of the band and not just the only person in the room who doesn't really understand what's going on.

A lot of times we would do covers - Chuck Berry or J.J. Cale or all kinds of cool songs - and whenever we did that I would always listen to the original record and really try to figure out what made it a great record and bring that to the floor.