Quotes About Music

I'd rather give one hit song than a flop film.

I don't know if a song is going to be a hit or it's going to flop. I never know. I just do the music and if people like it, they like it.

So if radio flops, and MTV flops and everything flops, it doesn't matter, as long as we're still playing and kids are coming to our shows.

The scene in South Florida when we were growing up, it wasn't divided. It wasn't different scenes. If you played loud or crazy music, you were on the same show.

I am from Florida, so I didn't 'grow up' on Wu-Tang.

I feel like Turbo helped me grow. It's the way we just lock in. His mind is set to where he'll start making beats to my flow and my sound. He's not an engineer, but he knows how to record.

My life is my music, so how can I stop? I put 100 percent into my career. I keep this flow going, and that's important.

I flow between modern and traditional jazz, between samba and choro - all maybe in a week's time.

Sometimes I write with music on, and if I'm in a good flow, I don't even hear it.

I think audiences sometimes mistakenly assume a quality performance comes from some great emotional disturbance rather than really intense concentration. Concentration and flow is what it's all about.

I think about trying to make it better. That's all I do when we play 'Even Flow' or anything off of 'Ten': 'Let's do this the best we can.'

Some of the music I made for 'Fantastic Damage' I thought I was making for the Company Flow album, but the majority of it was post-Company Flow.

When you're putting together a concept album, it's all about the flow and the story.

I'm a rhythm player. I need to set people up, I need to be in the flow of the game.

People like my beats because of the crazy flow with the hi-hats and the bass.

I've always wanted to work with Klashnekoff. He's been around for years! He's sorta my age but he is dope. The flow, the lyrics, it's just dope music.

I'd rather you listen to my music with a confused face, you know? Rather than you just hearing a good flow to a good beat.

Even as a teenager, when I made mix CDs for people, it all had this sort of track flow: I like to start off very in-your-face, and kind of chill out towards the end and have this almost, like, denouement.

Singing Flower of Scotland was the only thing that made me nervous.I don't get nervous doing my own shows.

Reading music is like listening to flowers. I don't understand the concept.

The women in Europe think I'm the Beatles, they throw me flowers.

The sense of flowing, which is so crucial to song, is also crucial to poetry.

When things line up, the music just flows.

I feel like I can see the music and can see how the character of the music actually flows. For me, that's music to my eyes.