Quotes About Immersive

If you can't answer the question 'What is VR adding to that experience?' - and it should be more than just a gee-whiz thing - then that project shouldn't be in VR. You're not taking full advantage of your medium.

My films don't give you an easy ride. I can see that. The sense I get is that people have quite a physical experience with them. They feel afterwards that they've really been through something.

In the future, an artist will be able to perform for the entire world in one date. For the fan, it will be a fully immersive experience - through a pair of glasses or whatever the device.

Doing theater, I call it concentrated shampoo. You put a dime in the palm of your hand and you get a headful of lather. When you do a play, you're there for two and a half hours, and you live a lifetime.

I like to disappear in the parts I play.

I try to make songs visual and tactile to kind of put you into the action.

Hollywood is moving movie production into VR because it may be more immersive. We see a convergence of different forms of media. VR and AR provide next-generation viewing experiences for games, movies, and visualization.

The concept and vision of 'Electronic Nature' is to give my fans a fully immersive sensory experience of music, visuals and more.

I've been to Vector Arena, and I've seen it. I've stood in the middle and just appreciated the space, appreciated the volume of the place.

I hate listening to things quietly. If I'm going to listen to something and fully enjoy it, I want the volume all the way up. That, for me, is a good immersive experience.

A bad version of a virtual reality video makes you vomit in your headset in under 10 seconds. It's much easier to make bad VR than it is to make good VR.

Some of the best rock shows I ever saw were those appealing to all your senses.

It's a 360-degree sound experience. Like you're in the middle of the band. A lot of people have the technology to play the format, so why not put it out there. It sounds great.

There have been a lot of amazing action games that, perhaps, the focus is on cinematics or story or even how the camera works so that they've created this amazing immersive experience.

Whether it's Brad Pitt up there, if there's a good moment up there, and you get pulled into the emotion, you're not thinking, 'Oh, that's Brad Pitt. He's an actor, and he's famous.' That's kind of the nature of storytelling, right? You sit around the fire and tell a story, and you can get sucked into that story.

I'm not a huge fan of 3-D, though. Honestly, I think that movies are an immersive experience and an audience experience. There's nothing like seeing a film with 500 people in a theater. And there's something about putting on 3-D glasses that makes it a very singular experience for me. Suddenly I'm not connected to the audience anymore.

I write books that will make 10 or 12 hours disappear, and hopefully they'll resonate with you for a few days, where you'll remember the characters and the story. That suits me fine; I am happy with that.

I don't want people to sit there and objectively watch the film. I want them to experience it as something that's under their skin, so you try to make the films really tactile.

keep your focus on aesthetics: notice Rist's use of the color red, but avoid making connections, actually just avoid using your head—lose yourself in her immersive installations instead.

The future of filmmaking is to make the canvas bigger, something you can't enjoy on your phones or computers.

When you're wanting to delve into something, it's the one thing that cable television lets you achieve, in a way where you can have long form. There are no defined chapters. There are scenes, but everything's not bookended by a Chevy commercial.

'Modern Warfare,' 'Black Ops,' these are all the next level of video games. The people are more detailed, the fighting is more exact, and I can't speak for every gamer out there, but I know when I play, I feel like I'm actually in the game. It's that intense.

Both my assistant and my wife tell me that during battle scenes, when a character is making a 'guwaa' sort of face, my face also ends up going 'guwaa.' So afterwards, my whole face is tired. I guess it's because I'm the kind of guy who gets caught up in his own work.

I love entering the bowels of the cinema and immersing myself in another world.