Quotes About Shows

Because even at the age of fifteen, I used to go see all the Broadway shows and feel that they were sentimental, that they were pandering to the audience and trying to manipulate the audience. I had no use for practically any of the shows that were hits.

I ended up doing a lot of prank shows in my life or prank theater, but I always got fairly nervous about doing 'em.

Alan Funt was the first hidden-camera magician. It was the playful nature of the way he worked that really inspired me. A lot of prank shows and hidden-camera shows can be a little mean-spirited. Funt was never like that.

We music fans go to shows for transcendence; it's like being called to prayer.

I like shows that have some level of intelligence to them. When it's not as predictable, when you don't know what's coming at you.

I've always preferred drag roles, because typically I get better costumes and I've always felt more connected with the female characters in my favorite shows than most of the male characters.

I thought of making a film with an animal. But many movies have already come with the same idea. On the other hand, what I have observed is, when children watch cartoon shows, they usually get excited with the presence of pigs or piglets in those shows.

I was absolutely delighted that those shows have been preserved.

I do a few shows every year, but I'm mostly at home, making music. Day and night.

In 1958, we decided to go to Australia. We were there for six months, and all the shows went well.

I played with the Lust-Cats once in Denver. I've seen Happy Jawbone a bunch of times, but I can't remember if I played those shows or not.

I know that the designers that have me in their shows have me for a reason, I know that the designers that don't have me in their shows don't have me for a reason, and I accept either way.

In fact, I became popular in Kerala after I took part in a reality dance show and despite making my foray into films as an actress I make it a point to take part in stage shows whenever I find time.

Doing studio shows... you don't get the details of the league.

My character started off on 'Chicago P.D.' as the brother to Detective Jake Halstead, and then I also played on 'Chicago Fire.' So, I really worked on both shows before 'Chicago Med' even started.

I've been watching detective shows, like 'Wallander' and the Danish 'The Killing.' I'm like, 'That would be kind of fun to do.'

I did ballet, tap and modern dance - I loved Janet Jackson with a passion - and I was good enough to star in lots of amateur shows.

On Saturday afternoons, there was a film, of course, and then we did about four shows between the films. And I would do a tap dance, a little military tap.

Once my sister was older, she and I would do lots of hobbies together. We took dance lessons and put on shows at home; tap dancing on the granite fireplace, which must have mortified my dad.

The way I pick who gets caked is generally by who shows me the most energy and is screaming for it. I still can't help but ask myself... should I stop caking people? Will that stop the haters from hating? Stop giving the trolls more content to target me with?

Science fiction shows are traditionally about the gimmick or the gadget and tend to be emotionally cool to the touch.

People recognize certain things, like 'D' means 'this dialogue stinks.' We're dealing with shows that are written here, shot in New York and posted back here. Accurate communication is a necessity.

If only we could persuade galleries to observe a fallow period in which, for two months every other year, new and old works of art could be sold in back rooms and all main galleries would be devoted to revisiting shows gone by.

A sad fact of life lately at the Museum of Modern Art is that when it comes to group shows of contemporary painting from the collection, the bar has been set pretty low.