Quotes About Shows

Even though I attended many of the fashion shows where Alesia was in, I never thought I'd be up there. I wasn't keen on it, but my mom was. She signed me up for the Miss Mumbai pageant and winning third place just got the ball rolling.

To what extent do we self-construct, do we self-invent? How do we self-identify, and how mutable is that identity? Like, what if one could be anyone at any time? Well, my characters, like the ones in my shows, allow me to play with the spaces between those questions.

I'm an artist, and I go in the studio and make my music. And then I'll give it to my dad and he does what he does. And he does, you know, the press, and figuring out shows and whatnot. When it comes to my artistic freedom, he doesn't, like, step on my toes or anything.

I was living in upstate New York, in Kingston - small town, no comedy scene except for my friends and I doing these DIY shows and whatnot. And we put together this thing called the 'Altercation Punk Rock Comedy Tour.'

I like collecting fedoras. Whenever I go abroad for shows, I always look to buy one.

A different demographic of people watch NXT compared to Raw and Smackdown; NXT is followed by the real knowledgeable, hardcore internet audience, whereas the main shows have a more family feel.

In Sweden, they broadcast the American shows in English with Swedish subtitles, whereas in many European countries they dub them. Watching those shows in English was big for me.

I would advise young aspiring theater artists to do as many shows as possible. It doesn't matter if it's in the basement of a church, in school, or in community theater. Do them wherever you can; big parts or small, it doesn't matter.

When I was growing up, I wasn't in bands, and had really no intention of ever doing music. I went out to California for college, and kind of on a whim started making music really as a joke, and over the course of the next five years started playing a lot of shows, and music became this really integral part of my identity.

As an announcer, 'The Price Is Right' is the mother of all shows not only because of its legacy, but because it is by far the most demanding game show.

Do you know I used to pride myself on the fact that I'd never booked a show in my life, but that I'd played so many because I'd been invited?

On general principle, I boycott shows that don't employ actors.

I was definitely a thespian of sorts in elementary school. I went to a real small private school, and every year, I participated in the talent shows and the school plays - all of 'em.

CNN canceled all the shows I was on. They're going in a different direction, but that's their privilege. They own the business.

I want to continue to produce shows that directly effect change.

It's very difficult for designers today. How can someone produce so many shows? Now the minimum is four a year.

Some of the best shows on television are produced by news departments.

I've met producers who are Christians and are producing secular shows. So much beauty and truth can be found in every - in every different show that's there.

I was drafted and went to Korea where I had an opportunity to create a production team that did dramatic and comedy shows. I had also done a little disc jockeying.

I've seen shows that start to go down the path of fan service, and it really diminishes the quality.

I've seen new actresses do one show and disappear or struggle for years to get their next break. I've been fortunate enough to have four shows back-to-back as lead.

I think I can draw both a mainstream audience and an alternative audience to my shows. I also have the ability to disappoint both.

In every writers' room I've been in, the first 15-20 minutes of the day are spent discussing water cooler moments from last night's big shows.

I haven't watched any shows online but I know that the content is not crippled by censorship and is much more experimental.