Quotes About Shows

Shows don't reunite because television doesn't work that way. There's no profit model and people go off to do other work.

When we set out our original program from the beginning, obviously our markets were pretty limited, and we were thinking about them mostly as U.S. shows, and they would travel like other U.S. shows have.

Have I ever presented a programme I don't watch? Well, I've done loads of programmes that no one else watched!

You get fed up watching shows with not much care and love, reality programmes where they put people in a house for a fortnight and film them doing everything, or where participants arrive after lunch and do the programme at six.

NBC programs great shows; it just doesn't have the eyeballs CBS does.

I know people come to my shows expecting me to give voice to some of the frustrations that nice, happy, progressive people like me have with the world.

Being behind the lens gives me a completely different perspective, and because of my blog, I get to do projects and attend shows lending me another angle.

When I do watch shows, or projects that I've been a part of, I'm pretty good at watching them objectively. And that's mostly because I want to see how it came out overall, what the overall story was and how it came together visually, what my mates were doing.

Happy to be a Hawk. Shows a lot of promise that the organization is willing to take the time to pick me.

As a fighter, I pay very close attention to the amount of marketing that goes into and around my fights, and I can tell you that you'd be hard pressed to find much that has been done to promote me outside of 'TUF 24,' which was minimal in comparison to other fights, fighters, and shows.

Just like you have a fashion council in Delhi to organise fashion shows, promote Indian fashion, etc, there must be such a body for films as well, especially because Delhi is now becoming the hub for movie shoots.

We used to work with a promoter in Italy who used to book for shows with nine hour drives in between, so we got a new promoter.

As a television producer, you do a lot of writing - drafting proposals for pilot shows and other things, so yes, a good deal of writing was involved.

I am working with writers and producers to have a more proprietary relationship over shows, having more ownership and creative control.

The U.K. crowds always have a lot of energy, and I've done some milestone shows there that I'm very proud of.

My proudest achievement has been the success of the shows and artists I have been involved with, because they were made in Britain.

We are lucky to have a big fan base and that we can support ourselves doing live shows.

It's hard to get people up and out to shows, but 'The Walworth Farce' has masses of energy and will attract a crowd who don't always come to the theatre, which is great.

There isn't that disconnect between the fashion industry and people now - you can be a trendsetter even if you don't go to shows. The industry isn't as snobbish as it used to be.

Almost all of my favorite shows are limited series. It just seems to be the better way to go.

There was a period where I did do a lot of television, but the luck of the draw worked in my favour, as they were all shows that were either fan-favourites or cultist things.

I would rather make feature movies because, let's face it, you take more time. You take seven days to do a show, and you take three or four months to do a movie.

For shows that are hyper-serialized, it just seems to make more sense to follow a feature film model than follow a television model, which was set up more for a procedural type of show.

Television, cable, features are always out there.