Quotes About Shows

Random people, celebrities of note come to your shows over the years, and I've had some really strange ones. Like the guy from Kiss. Gene Simmons has literally been in the audience at my shows, like, four times. I don't know if he knows me; he's just a big fan of comedy.

In a fantasy show, you can't be random with creative ideas. So that is a drawback for our industry. Since it is daily, with fantasy shows, you need to stick to the script. If you don't, it will become saas-bahu show.

In the '80s, it was difficult and frustrating to appear in the theater and TV again, even though I had some successful shows and hit records. Now, I have to say, the '90s are the best decade of my life. I've done the best work and, in a funny way, I'm enjoying the most success... more than in the '70s.

At a very basic level, I think television exists for game shows, and I think it always will.

We'd become lazy with 'Top Gear,' doing six or seven shows a series.

Successful shows will always generate great business deals in the future.

When I do my shows, it's really cross-generational. Sometimes there's three generations there.

The podcasting world has changed the way I book my shows. I knew that I could announce a gig on a podcast and that people would hear it. People that like what I do would hear, 'Oh, he's in my city.' And that makes it so much easier.

Some gigs will go great. I figure you do a gig, and as many as can get there will get there.

As a kid, we got a lot of American shows - usually a New York or L.A.-based show full of glitz and glamour - and I assumed that that was what life was like in the U.S. So, when I was 17, I decided to go to America.

When I left New York, not a lot of shows were happening there, but 'Golden Boy' is such a New York show.

My fans immediately saw the real me and realized that I am a good actor. It helped avoid being stereotyped with mythological shows.

We expected to have a good time with Clive Anderson 'cause I've always liked him, his shows.

I'm usually late to the game on shows and watch them after they've aired. But I love 'House of Cards,' 'The Killing,' 'Orange Is the New Black,' loved 'True Detective,' and 'Arrested Development' when it was on. Also 'The Wire,' though I was way late to the game on that.

I've fallen in love with shows like 'Homeland' and 'The Wire.' And I think 'The Office' is in a category like that.

'Witches of East End' is certainly wild, and so are a lot of other shows these days. But 'Twin Peaks' still holds the gold medal for strange. I think we'll hang onto that for all of TV eternity!

For years we've had all the big-hitting HBO box-set dramas, all these brilliant, witty, clever shows, and in return the only thing we've had to offer is big period dramas like 'Downton Abbey'.

If anyone would have been paying serious attention to my puppet shows, I would have been sent to therapy very young.

Have four things going. I have stand-up comedy, two television shows and I'm working on a play. I like to work, and I fear that something could fall through. You know what they say: 'The show must go off.'

Going from 'Dexter' to 'Powerpuff,' there was a lot of dialogue, there was a lot of... you know, we did action, of course, but I was getting burned out on the words, and both shows had this big, thick black outline.

I'm in love with low-rated shows. That's true of 'Men of a Certain Age,' 'Thief,' 'Gideon's Crossing.' I fall in love with projects that are almost freighted with prestige.

I don't like Paris so much, and it's only eight shows. I mean, don't tell them that, of course. But everyone always thinks they're so important. And I'm sure they are. But to me, my happiness is more important.

I enjoy a third act, and I like stories with ending. A lot of my frustration with serialized storytelling is a lot of shows don't have a third act. They have an endless second act, and then they find out it's their last year and often have to hustle to invent a third act, but they were never necessarily organically meaning to begin with.

I like those older theaters - the acoustics are perfect, I mean, you just have that feel of there's been a thousand shows in there and now you get to be one.