Quotes About Shows

A lot of my fans are people who have grown up and don't have as much time to listen to the radio, but still want to keep up with what's popular. A lot of shows don't talk to them anymore, but I do.

People forget that even the biggest hit shows, like 'Hamilton,' started off-Broadway.

'Once Upon a Time', 'Mirror Mirror' - those shows and films focus on women and their conflict with one another. What the heck is going on in contemporary fairy tales? Women are not dominating the world; they are not evil.

Most 'reality' shows aren't reality at all. They're game shows with no prize. Like 'Rock of Love.' His aren't genuine feelings. Then again, Bob Barker didn't really care whether or not you won the toaster. Sorry to shatter everyone's dreams.

Cartoons are the best stuff on TV. 'Wonder Showzen,' 'Aqua Teen,' 'SpongeBob,' and, of course, 'South Park' - one of the funniest shows ever made.

I sing because I love it. People may come to my shows because they are curious about 'Wonder Woman' but I hope they return because they enjoy my singing.

I love working in television, and I've been thrilled to be a part of so many wonderful shows. I worked with Lady Gaga on 'Gossip Girl,' and the brilliant Felicity Huffman on 'Desperate Housewives,' but I think my favorite TV job so far was the pilot I shot for the CW Network this year called 'Joey Dakota.'

As a gold-card-carrying member of the nerd herd, I'm usually in the artsy, fringy, PBS-y kind of shows that change maybe five people's lives forever while leaving everyone else wondering if they can still make the ticket lottery at 'Wicked.'

Music doesn't have to be fancy. I work hard and enjoy the fact that people want to come to my shows. That's simple, but I'm pretty blue-collar about it.

I was offered a few shows, but the money didn't work out, but I'm not very keen on judging such shows. I'm happy in my space as a composer.

The common thread of my comedy shows is conflict and, I guess, the frustration of people who either argue with you or just say stuff which is blatantly incorrect, and nobody calls them out on it.

I don't know how old I was when I first started going to shows, maybe 14 or 15, but very quickly, I discovered Dischord Records in D.C. and loved all the music on that catalog. I was a big Rites of Spring fan, Minor Threat, of course.

Shows can come and go. They can be a hit and then in three years, gone. There's some comfort in having the stability of a job and having children. It's a double-edged sword.

Television is the original social network. Consumers love great television, but they also love talking about television. Sharing with friends the thrill of the last episode, debating what will happen next, working to enlist friends to watch the same shows that you love.

I'm still finding my feet in many ways as a performer. I'm not an extrovert, and certainly the attention isn't what drew me to it, and I find that quite jarring at times. I used to stress a lot about shows and get palpitations before shows, but eventually you learn to love it, and it is a thrill.

As I start to think about what I want to do next, there are eight or nine networks I would be thrilled to work with. I remember developing at FX and the executives there telling me, 'We don't want to do shows that 20 million people kind of like; we want to do the show that 2 million people really like.' That's such a refreshing thing to hear.

I don't think I will ever take up supernatural or thriller shows as I do not relate to them.

There were also horror shows on the radio. Very terrifying and thrilling to me as a kid. They had all these creepy sound effects. They would come on at ten o'clock at night, and I just would scare myself to death.

We are committed to getting our content to our audience in as many ways as possible. We are very excited about our partnerships.. and we relaunched our ABC app, which is going to be a great place and opportunity for our audience to find our shows in addition to throwback content and new ABC digital originals.

Americans are crazy. They have this fascination with throwing their shoes on stage. I've been to a lot of shows in me life, some good and some bad. But I was never moved to take off me shoes and throw it at the lead singer.

Improv is always seen as something that's funny, but worth a $5 ticket, $10 at most. I think ISC is one of those shows that is worth a real ticket price. It's hard-hitting and great and different every time.

We've gotten to play shows where I'm the headliner, so people are buying tickets to come see me, and that's when you really learn, 'Okay, who's listening to this music?' That and social media. But I couldn't feel luckier about the fan base that is starting to grow... People have just been super, super supportive and awesome.

My mum bought discounted tickets for shows like 'Cats' and 'Les Miserables'; I became completely enamoured.

My memories of London Fashion Week are of starting out and not getting many tickets for fashion shows, but wanting to see them so much that I'd sneak in with my friends, people like Pat McGrath and Craig McDean.