Quotes About Camera

Acting is very sacred. Anyone who stands in front of a crew with the camera recording their emotions is a brave individual.

Give me a problem, I'll give you a solution. I just love living. That's a feeling you can't fake. I'm glad every single day. I think that even the camera can feel that I'm a happy man.

I got five kids, and my oldest is a documentary film maker and camera man, and still photographer.

There are certain men and women who, from the minute they step in front of a camera, that's exactly where they belong. Connery's one.

The more nearly the film cutter approaches the natural law of interest, the more invisible will be his cutting. If the camera moves from one person to another at the exact moment that you in the legitimate theatre would have turned your head, you will not be conscious of a cut.

I did an episode of 'Law & Order,' where I literally didn't move my neck because I thought you couldn't move your head on camera.

My dad gave me his camera, so I spent my childhood making movies with the kids in the neighborhood as actors.

With 'Half Nelson' we had a little bit more leeway to let the political be more present, because he was a social-studies teacher and this was what he was teaching the kids, so we'd have those direct-to-camera addresses.

A good browser, apps, good camera, and fast networking in your smartphone is just expected today.

A person who is a comedian does comedy in real life, too. But then there are others, too, who are very good in real life, but can't perform in front of the camera. They get nervous. Nevertheless, an inborn comedian does comedy whether he is in films or not.

It is never easy to face the camera, especially for the newcomers.

Being behind a camera, in front of the camera, is my own little deconstructionist niche.

After I did nine years of a television series, I didn't want to do anything really that involved going to a set and being in front of a camera for quite a while. And when I did start to want to do things, I wanted to focus more on film.

When you're in front of the camera, for a small budget or a big budget movie, there's no difference.

The Starflex, like all Brownies, allowed no focusing. The shuttle cocked automatically to avoid double exposures—which the manual billed as a convenience for the amateur. All you had to do was all that you could do: peek into the viewfinder and press the shutter.

The camera is a remarkable thing, you think, with its ability to transform the mundane into an immortal moment able to travel through time, reappear days or months or years after its actually occurrence. Every second of our existence is alive with possibility, but we don't see it until we hit rewind, until we freeze the frame. It is sad that so many things, all suffused with meaning, escape the unaided eye.

Life is like a camera. We need a good angle to get a perfect shot. If the first photo is blurry, we can reset. Just like in life, if things aren't right, we can always shift into another direction. Reset, Re-adjust, re-focus, and re-start. We always have a chance to take another shot again and again. We always have a choice either which picture to be kept. The bad, the good, the better or the perfect one.

Across from the famous jewelry store on Fifth Avenue at Fifty-Seventh Street, we sat in the back of a graffiti-covered white box truck watching the world go by on the surveillance vehicle's hidden high-def camera. So far there had been no sign of the thieves. Or even Audrey Hepburn.

I have the insecurities of any actress, I suppose of any woman. Even the most beautiful ones feel unhappy. Look at Bardot: she was suicidal. But I like to play with the camera. I like to ham it up.

Watching Sridevi emote was an experience. She was very quiet on the sets. But once in front of the camera, all her energy would be unleashed.

It doesn't matter if they're in front of the camera or behind the camera. I know women who are producers who are surviving on nothing but juice and almonds.

Women are making strides in many areas and women have mentored and supported me along the way. I think that women are underrepresented behind the camera as directors.

Women that can work a camera with ease often work men just as effortlessly for both require the same commitment to vanity and manipulation.

The first light-field camera array I saw at Stanford had a bunch of applications, like to do special effects like you see in 'The Matrix,' where you spin the camera around in frozen motion. It took up an entire room.