Quotes About Rapport

I think of the audience the way I would think of another person: You meet someone, then you take it from there; you see what's interesting to both of you.

As an actor, you really want to resonate with your audience.

If you can know a guy off the field, I think it helps you on the field. If all you're doing is talking football, maybe you can't get on the same page.

Well first off, Sean McVay, we have a very special relationship.

Many a man owes his advancement very largely to his ability to converse well. The ability to interest people in your conversation, to hold them, is a great power.

When we're onstage, it's like mind reading: we're on the same page.

I get on well with Scott Parker.

Personally, he much preferred to get them chatting. People were generally much less inclined to want to kill you once you'd chatted for a bit, and if they weren't, well, at least you could use the time to think of an escape plan.

Madonna can still produce a catchy pop song, but she hasn't expanded her artistic vocabulary since the 1990s. Her concerts are glitzy extravaganzas of special effects overkill. She leaves little space in them for emotional depth or unscripted rapport with the audience.

I think John Landgraf sees things in the same way I do. We see eye to eye on a lot.

Catherine Keener really gets me. She and I have such a shorthand together.

This," I said, "could be the start of a beautiful friendship.

The true basis for friendships is a prejudice or two in common," Max liked to say.

I want my audience to be my friends - that is when they will get the best comedy. If they see me as a performer, they won't get the best show.

sweet talkers can convert even enemies to friends. So, they do not have any enemies.

I've worked with a lot of really great actors, but it's not very often that you all bond so easily.

No matter whom I've worked with, they've always created a great bond with me.

Bieber's like my brother at this point.

I try to choose characters that are very different; I think I have succeeded in that. A big role or a small one does not bother me at all. What matters is that I should have a rapport with the director.

The individuals in great dyads will be very different from each other and very much alike. These simultaneous extremes generate the deep rapport and energizing friction that define a creative pair.

Do we respond only to people who seem to find us interesting?

these conversations typically lead quite quickly to

FBI's rapport-building

Good interviewers share three features. They . . . obtain the greatest amount of accurate information relevant to diagnosis and management, in the shortest period of time, consistent with creating and maintaining a good working relationship (rapport) with the patient.