Quotes About Interaction

You don't get to know anybody in a movie until after it's over. You work less together in a film than you do onstage.

Well, I think that a lot of times when you're working on a film, there aren't really opportunities to get to know all the people you have to work with.

Screen work always boils down to that moment between the camera and the actor or the actors. It always boils down to that, ultimately. You serve the camera.

I have withdrawal pains about not getting to work the people (on the show).

We did work together surprisingly well, more than I thought we would, because I didn't know before we met if we would actually work together really well, and we had a great time.

I was always on time, I did my work to exact specifications, I spoke when spoken to.

The work of art acts like another living person with whom we are conversing.

Being around Lily Tomlin has been great, how she treats people, how she handles herself, how she goes about interpreting her character or deciding how the comedy should work.

I need to get back to work," Patch said. He gave me a once-over that lingered a bit below the hips. "Killer skirt. Deadly legs.

Could Congress really do its work if it held its sessions by teleconferencing? Could the Supreme Court? Nothing can replace the spark of intelligence that travels from person to person at meetings.

You cant be a casual observer of something humorous - you have to engage, you have to find it funny for the relationship between actor and audience to work.

Sometimes I just have a few people over to see the new work, and I think it works better than in a museum situation, where the public is just presented with a large area.

With a lot of people you think you want to work with, you reach out to them about working and then realize you don't want to anymore because they're a complete dickhead.

I like to make sculpture because it makes my life social. When I make drawings, I work alone. When I work with sculpture I have someone I can work with.

Everyone likes to talk shop, which is the most interesting talk in the world, in the beginning.

If I get work done early, I can do some interacting with fans online, or see my friends. If I don't get that work done, you may not see much of me!

It's not that I don't enjoy other people, but what I find with writers is this back and forth. And also, there's no need to talk about work.

It's hard to top what you see in the film, they were just such a great group of people to work with and we all hung out in between scenes and I got to know everybody a little bit.

It's great to get out of the study and work with real living and breathing people.

What you need for a participatory system to work: "a plausible promise, an effective tool, and an acceptable bargain."

Business is a conversation because the defining work of business is conversation.

I receive about 10,000 letters a year from readers, and in the first year after a book is published, perhaps 5,000 letters will deal specifically with that piece of work.

I found doing that kind of comedy without an audience is just... for me, it's almost impossible. You need the audience to do their half of the work.

I never get involved with the ladies I work with.