Quotes About Interaction

It's almost a work-shopping process to create the characters with the actors.

It's always nice when you get a chance to actually work with the other actor. It just brings the scene to life, in a way that's not as easy to replicate on your own.

Overall, women are a lot more fun to work with than a bunch of men.

I can deal with people who watch me on stage but I am not good in communicating with people any other way than through my work.

I gave him a smile. I was aiming for sweet, but he turned a shade paler and scooted a bit farther from me. Note to self: work more on sweet and less on psycho-killer.

I, also, found the opportunity to work with the actors extremely gratifying and rewarding.

And I certainly like being on a plane, next to a stranger, having conversations that you'd never otherwise have. You're unplugged, your phone doesn't work, you're not online.

I don't do chat-up lines. Girls often tell me I'm cheeky. Being cheeky seems to work OK for me.

News reporting is a cycle: No matter how much you work at sending a message, it's only successful if it's received.

I've had to relearn how I work with people so that if and when I do avoid different things I don't send any messages in doing so.

The more that I work with people that I don't know, the more I invite somebody in who's potentially going to really hate being there.

Communication and communication strategy is not just part of the game - it is the game.

The most successful cultural diplomacy strategy integrates people-to-people or arts/culture/media-to-people interactions into the basic business of diplomacy. The programs in Afghanistan, Egypt, and Iran all contribute to core goals of U.S. policy in those countries.

It might sound a little weird that, you know, chess streaming has a community, but really it does.

I am stopped in the street by kids and Harry Potter fans all the time.

I find that the most special thing to me is if you've connected to people in some way: If someone comes up to you on the street and says something to you, and you know it's meant something to them, and it's connected to some project. That, I find, is amazing.

I've never given my phone number to someone on the street, but when someone is a gentleman, I appreciate the compliments.

I love watching people, and that's what I do; just go for a walk at about 4 o'clock, and go down a busy street, where you see people coming out of school and you get a glimpse of their lives, what they're talking about.

I do get stopped on the street, although rarely. And they always have something lovely to say.

I never got why actors don't like it when a fan comes up to them on the street. It is cool that someone recognizes what you do and makes you feel like you live in a community.

I like the idea that you can paint something outdoors, and anyone can see it. It's open to anyone, and people have to deal with it. In the gallery, it's the same 150 people on the San Francisco art scene. There's a dynamic on the street that's definitely more interesting.

All the fans that are aware that I'm a family man and I have five kids and the newborn, and they send messages on social media or a sign in the audience, or they just say it to me person-to-person on the street, I appreciate all of that.

The interviews have gotten much longer with 'Humans of New York.' When I was first starting, I was just photographing people. And then I went to just kind of including a quote or two. Now when I'm approaching somebody on the street, I'm spending about 30 to 45 minutes with them often.

When I'm out there on the streets, I enjoy meeting people and listening to their complaints and critiques. It's something that I take great pleasure in.