Quotes About Interaction

Integrar el yo y el otro · Equipados para un «nosotros»: Busca maneras de sacar partido a la aptitud innata del cerebro para la interacción social. Crea modelos mentales positivos de relaciones. · Lo que puedes hacer:

On the subjective side of reality, resonance can be detected internally as we look to the other and recognize evidence that the other is changed because of our own internal world. We see a tear forming at the edge of the other's eyes as we have just told a sad story. We

6. NOS OLVIDAMOS DE CENTRARNOS EN CÓMO DECIMOS LO QUE DECIMOS Lo que decimos a los niños importa. Naturalmente. Pero cómo lo decimos es igual de importante. Aunque no resulta fácil, hemos de proponernos ser amables y respetuosos cada vez que nos comuniquemos con nuestros hijos. Es muy posible que no siempre demos en el clavo, pero este debe ser el objetivo.

Seasoned parents and child therapists will also tell you that some of the best conversations with children take place while something else is happening. Children are much more apt to share and talk while building something, playing cards, or riding in the car than when you sit down and look them right in the face and ask them to open up.

But the more you consider and practice this approach, the more natural and automatic it will become to offer a quick assessment and respond with an intentional response. It can even become your default, your go-to. With practice, these questions can help you remain intentional and receptive in the face of previously reaction-inducing interactions.

En realidad, sin embargo, la conducta de búsqueda de atención no solo es totalmente apropiada desde el punto de vista del desarrollo, sino que en realidad es relacional. La atención es una necesidad de todos los niños en todas partes.

I never met a girl I didn't meet

In a negotiation situation, for instance, good mood helps. People in a good mood are more cooperative and elicit reciprocation. They tend to end up with better results than do unhappy negotiators.

frequency of lovemaking minus frequency of quarrels

We were sufficiently similar to understand each other easily, and sufficiently different to surprise each other. We

I would say I am viewed as the oldest teenager in my family because they say I never grow old. I mean, I am stern in my own way - I am not one to let children run over me - but I am very, very good with children, and I can usually get what I want out of them.

The research side of academic life is often viewed from the outside as a solo and, at times, lonely activity. In fact, it is quite the opposite: a communal activity in significant part where interaction and interchange generate ideas and critiques of them.

I think the majority of police are really good people and really good at their jobs, but that doesn't change the fact that with any interaction I have with them, I'm viewed as a potential threat.

The work itself has a complete circle of meaning and counterpoint. And without your involvement as a viewer, there is no story.

If you give an answer to your viewer, your film will simply finish in the movie theatre. But when you pose questions, your film actually begins after people watch it. In fact, your film will continue inside the viewer.

I've seen descriptions of advanced TV systems in which a simulation of reality is computer-controlled; the TV viewer of the future will wear a special helmet. You'll no longer be an external spectator to fiction created by others, but an active participant in your own fantasies/dramas.

It is easy to force a reader or viewer to interact. The trick is in making them want to interact, and in letting the story unfold hand-in-hand with that.

When we make the show, we are always talking about how the show is really in between what we make and what the viewer thinks of it.

I'm interested in the space between the viewer and the surface of the painting - the forms and the way they work in their surroundings. I'm interested in how they react to a room.

A lot of people don't like to eat on camera, but I eat on camera all the time. I'm standing in for the viewer.

The idea of a 'happening' is that there is little distance between the viewer and it, whatever 'it' is. It's an experience that's on-going and evolving.

I can bring in all these different components, and I marry these components, and I let them get traversed by the viewer, who reorganizes them.

If I get something wrong on air, I get 1,000 emails correcting me instantly, and most of our story suggestions come from viewers.

I'm all about building a relationship with viewers and getting to know them.